A Quote by Corey Hawkins

We work so hard on our craft, and once we get out of Duke Ellington, there are not going to be people looking for technique. I worry about that a lot. — © Corey Hawkins
We work so hard on our craft, and once we get out of Duke Ellington, there are not going to be people looking for technique. I worry about that a lot.
I think it was Duke Ellington who once said that we're always most pleased with our current record. I mean, you have to assume that you learn from one, and you do something better next time.
I worry a lot about what people think. I worry people think I'm not helping them enough, that they don't like my music, that I'm playing a song too fast or talking too fast. I worry my wife isn't happy with our relationship... I'm afraid somebody's going to take my career away from me. That it's going to go away, or I'm going to get fired.
I don't believe people die from hard work. They die from stress and worry and fear - the negative emotions. Those are the killers, not hard work. The fact is, in our society today, most people don't understand what hard work is all about.
My inspiration comes from the message Duke Ellington gave - you are unique, be yourself, put out that thing that is you, then use your work ethic and produce great music.
Like, even going to Duke Ellington School of the Arts, like, they slept on me. I think they thought I was talented, but for whatever reason, they didn't want to give me a lot of solos or any type of just love like that. But I don't know. I think that's what encouraged me to grind so hard.
It's a spirit that was given me and the relationships and meeting all these great people, Duke Ellington, Louis Armstrong; through Max I met a lot of people too. My first album was with Benny Carter.
You can sit there and say people should worry about football, but it's hard to worry about football when you've got a lot of other things going on around you that are negative.
If the Senate can't perform its most basic responsibilities, I worry about how we're going to make the tough decisions and do the hard work that will be necessary to get our country on a path to fiscal solvency.
Lots of people have asked me what Gracie and I did to make our marriage work. It's simple - we don't do anything. I think the trouble with a lot of people is that they work too hard at staying married. They make a business out of it. When you work too hard at a business you get tired; and when you get tired you get grouchy; and when you get grouchy you start fighting; and when you start fighting you're out of business.
As for my band, well, my mentors were Duke Ellington, Benny Goodman, Jimmie Lunceford, and no one had a band more smartly dressed than Duke.
The competition, the naysayers, the owners who talk too much. The people who don't think a 36-year-old can do what I do. I take a lot of pride in my craft, I work really hard at my craft everyday, and I'm a true professional.
I worry an awful lot about people and how they're faring. When I worry about people, whether their job is squashing their spirit, pushing them into a darker pathway of not feeling good about their life, that forces me to look for what's good. What's going well. That stokes a lot of positive feelings. Although I do worry, I look for the hope.
I remember the night when I was playing at Birdland, and Duke Ellington walked in wearing that cap of his and with all his elegance. The Duke then came backstage, and I was there with my band. That's the one thing I miss.
My dad was into jazz, so there was a lot of Thelonious Monk and Duke Ellington playing in the house, but also a lot of soul, such as Aretha Franklin and Ella Fitzgerald, while my mum liked Prince and Diana Ross.
Every film is hard work, and a few lucky people do get Oscars for what they do, and it's recognition for all that hard work on a certain level. If you didn't do the hard work, you wouldn't be standing there. On the other hand, people do a lot of hard work and don't get Oscars, so it's a mixture of glory and injustice at the same time.
The only craft and technique you have legitimate access to is the craft and technique you forgot, that has dissolved itself into the unconscious... Because you have learned it so well you have forgotten it.
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