A Quote by Corey Hawkins
Yes, I do feel a deep responsibility every time, every character, everything that I do.
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I think every opportunity, every disappointment, every rejection, every accolade... everything has contributed in shaping my character and my choices and who I have become.
In every movie, there's always some physical thing that triggers the character for me. In 'The Long Walk Home,' it was the girdle. Every time I'd put that girdle on, I'd feel my character wiggle to life.
I'm in deep in everything, every moment of the day. I create the systems and oversee every aspect of the execution. Every mark on a sculpture and every brush-stroke on a painting is in a controlled situation, exactly as they'd be if I'd have done them myself.
Every character thinks differently, and every character has a different energy and way that they tick. But to find a character like Kai, who is so far that he doesn't even feel things, he is so different from me. That is the most exciting part.
I've learned that in the theater the story is everything. Every lyric, every line and every musical gesture has to propel the journey of a given character or the overall plot.
There's always mixed feelings about the work that I do. When you're playing a real person, that's another kind of responsibility. I have to say that every time that I have played a real person, even though I gave it everything I could, I feel like I misinterpreted trying to represent them. All the time I feel like I screwed it up! But I don't know if that's because I can't separate myself from it enough.
Every time I see you, I feel like I'm waiting for the other shoe to fall. I feel uncomfortable every time I see you, and every time we talk, my throat tickles.
I think every time you take a female character, a black character, a Hispanic character, a gay character, and make that the point of the character, you are minimalizing the character.
We name time when we say: every thing has its time. This means: everything which actually is, every being comes and goes at the right time and remains for a time during the time allotted to it. Every thing has its time.
We accept the responsibility to preach the gospel to every person on earth. And if the question is asked, you mean you are out to convert the entire world? The answer is, 'yes'. We will try to reach every living soul.
Every character I do is something special to me. Every time you score with a great character relationship in a movie, it becomes your baby.
My heart beats so hard it hurts, and I can't scream and I can't breathe, but I also feel everything, every vein and every fiber, every bone and every nerve, all awake and buzzing in my body as if charged with electricity. I am pure adrenaline.
How do you know that? (Stryker) I know everything. I feel every heartbeat in the universe. Hear every scream for mercy and feel every tear of pain. (Jared)
Not everybody should be laughing at everything at the same time. That's not even natural. My thing is to feel natural, because I don't want to feel like I could just make people laugh at every single joke, every single time, with the same decibel level.
Every kingdom work, whether publicly performed or privately endeavored, partakes of the kingdom's imperishable character. Every honest intention, every stumbling word of witness, every resistance of temptation, every motion of repentance, every gesture of concern, every routine engagement, every motion of worship, every struggle towards obedience, every mumbled prayer, everything, literally, which flows out of our faith-relationship with the Ever-Living One, will find its place in the ever-living heavenly order which will dawn at his coming.
I make a playlist for every character I portray. Music plays a huge part in helping me understand a character. Every time I get a new role, I will take a chunk of time to just sit and listen to a bunch of songs and select the ones that make sense in my mind for that character. I can't even explain how much it helps me.
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