A Quote by Corey Reynolds

In theater, the show must go on, so you train yourself to be able to nail it every single time because that's what the audience deserves, and that's the magic of live theater.
I'm trying to change theater, in my own way - not just magic. I say that humbly, because I'm learning every single day. I do 15 shows a week, and every single audience I have is like a test screening for you, when you listen and go, "Really? They laughed at that?" All over the stage I have lines, written onstage, that I'm changing every single day.
The beauty of making theater is that you have to go and do it the next day. Making a show nightly is a really difficult skill. It's something every theater actor and every theater maker is challenged with.
I'm conflicted with theater in the city because you want to reach a diverse audience, and that audience doesn't typically go to the theater.
Good live theater disturbs molecules. You create an energy source around yourself and it alternates between you and the audience. Anybody who sees live theater should come out a little rearranged.
From the time I was five years old, theater was all I knew. I did community theater; I went to theater school. It's like going to the gym as an actor: every single night, you have to recreate the illusion of the first time, so you really have to listen and connect and stay in the moment for an hour and a half - with no breaks.
I find theater terrifying. There are no do-overs, you know? It's all happening live. You need to be in it 100 percent at any given moment, and the audience is right there. I'm really intimidated by theater, but it is my first true love. I love theater. I love that anxiety.
Every time I go to the theater, there's something about the atmosphere, seeing something unfold live in front of an audience, that you can't get out of your system.
It is not enough to demand insight and informative images of reality from the theater. Our theater must stimulate a desire for understanding, a delight in changing reality. Our audience must experience not only the ways to free Prometheus, but be schooled in the very desire to free him. Theater must teach all the pleasures and joys of discovery, all the feelings of triumph associated with liberation.
I think film is a world of directors. Theater is a world of actors. Or, theater is for actors as cinema is for directors. I started in theater. Filming is as complete as directing film. In theater, you are there, you have a character, you have a play, you have a light, you have a set, you have an audience, and you're in control, and every night is different depending on you and the relationship with the other actors. It's as simple as that. So, you are given all the tools.
I wasn't even in a theater because I guess nobody believed in me, so I was in the hallway of a theater on a platform that they would move so the main stage show could go on at eight o'clock and I'd be gone.
I think the theater is basically the boot camp for the actor. If you can survive the rigors of an eight-show-a-week schedule and be at your best all the time, you can handle virtually everything because no other craft requires you to get it right every single time.
I love the theater because the theater is alive. The audience is right there.
A movie is a filmed rehearsal in a way. The audience doesn't know that because you're taking out the things that don't work. There's no comparison to the theater because it's live. But making a movie is just as challenging and exciting, I find. A movie is pure process. The theater is the result of process.
I want the audience to walk out of the theater feeling they got their money's worth. Every movie that I enjoy, I leave the theater with something to take with me.
I think one of the great bits of The Muppet show is that it was set in a 19th century British theater and they live so nicely amongst that lovely old theater.
I always think that the difference between film and theater is like the difference between masturbation and making love. Because, in film, you just have to get one moment right; you're practically by yourself. And in theater, you actually have to have a relationship with the audience.
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