A Quote by Corey Stoll
After college, I was an intern at the New York Theater Workshop. In the mornings, I would build sets and hang lights, and in the afternoon, I would be the reader for auditions.
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I like going to the matinee. I like taking my daughter there. It's just my favorite place in the world. I go there after auditions. I lived in New York City, I would go to the theater right after because it clears your mind.
I think what happened there was just the budget would be too big to build these sets because nothing really exists here in New York of that period; you have to build it all.
He stepped to the window and pointed to the skyscrapers of the city. He said that we had to extinguish the lights of the world, and when we would see the lights of New York go out, we would know that our job was done.
I was an economics major in college, and every summer after school, I would drive my car from California, from Claremont men's college at the time, to New York. And I worked on Wall Street.
I lived in New York for a long time. Right after college I went there. So I got my first cell phone in New York. Back when you would flip the phone up. Way back when.
That's what I'm doing here, throw out New York and California, Donald Trump wins the popular vote by nearly three million votes. But you can't throw out New York and California. This is exactly why we have the Electoral College. Had there been no Electoral College and had the election be defined by the popular vote, I guarantee you that the two states where the candidates would have been all the time are New York and California. There would have been some time in Texas and they would have ignored the vast majority of people in the country.
If there were, say, only 10 percent of the hotels that exist now, there would be all these apartments for people who live in New York, as opposed to people visiting New York. And then all this junk in the theater, we would no longer need the kind of stuff that tourists like.
After college, I was living in New York and wrote furiously, a huge novel that I knew was a failure. I hoped that the book would work, but to be honest, I think I knew it would never work, even as I was finishing it.
Most of my life, I thought that I would end up a novelist. But then, in New York City, after college, I started a company with a college friend where we made documentary video for museums. In that capacity, I shot, directed, edited and began to learn the vocabulary of film.
I thought I was going to be a theater actor. I moved to New York after college and did some plays and worked a lot. Once the realities of living as a theatrical actor hit me, I realized I wanted to start making a little bit of money and not have to bartend and work in theater.
Medical knowledge and technical savvy are biodegradable. The sort of medicine that was practiced in Boston or New York or Atlanta fifty years ago would be as strange to a medical student or intern today as the ceremonial dance of a !Kung San tribe would seem to a rock festival audience in Hackensack.
I went to Wellesley College, and it was really hard for me to get a job after I graduated. I would go into places where I would not see any black people at all in Boston - like, zero. And then in publishing in New York City, it was pretty much the same. I knew that it wasn't about the value of my work.
When I was 18, I was moving to New York to start college at The New School. I had done a year of college in Toronto and wasn't happy there. I didn't have any friends in New York City, but I applied and got in. It was pretty overwhelming, but everyone in New York is so ambitious and creative.
I really would rather have gone to New York, since all my training had been in theater, but I didn't have the guts to go there alone. I knew only one person in New York, and that was a man. What I needed was a woman. That's the way Southern girls thought.
I wanted to be a theater actress, but I thought it would be easier to get to New York and the theater if I had a name than if I just walked the streets as a little girl from California.
I have the cliche 'struggling actor' story. I was waiting tables in New York, went out to L.A. soon after graduation to get some jobs, but it didn't work out. I wanted to cut my teeth in professional theater, so I came back to New York. It made my journey a longer one, but I really wanted to excel in the theater.
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