A Quote by Corey Stoll
The very act of saying anything more nuanced than 'us good, them bad' is under attack, and I'm proud to stand with artists who do.
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A writer's life is so hazardous that anything he does is bad for him. Anything that happens to him is bad: failure's bad, success is bad; impoverishment is bad, money is very, very bad. Nothing good can happen... Except the act of writing.
[When anything happens, we interpret it as good or bad, but...] We do not know what is really good or bad fortune. [Only the future can decide. For example, what appears to be bad today may in fact lead us to a greater good tomorrow and by the very act of thinking and planning in that positive way, we can help make that good future come true.]
We know there are good sugars and bad sugars, and we don't discuss whether food in general is good or bad for us. We need to be far more nuanced when we talk about the effects of video games.
I am very proud, revengeful, ambitious, with more offences at my beck than I have thoughts to put them in, imagination to give them shape, or time to act them in.
We lie to ourselves and try to escape that bitter reality by saying that the world is divided into good guys and bad guys, and that we're the good guys. We condemn people as evil to reassure us that we're not like them. If there's to be any hope of preventing these things from happening again, we have to look at the reality. That any act of evil in our history was committed by human beings like us. That, very often, we're all implicated in it.
Soccer can be very subtle; it's a very nuanced sport. If I happen to make things easy and people don't see it, that could be a reason why someone might stand out more than I do. But that's just the way I've grown up playing the game.
Be proud of your mistakes. Well, proud may not be exactly the right word, but respect them, treasure them, be kind to them, learn from them. And, more than that, and more important than that, make them. Make mistakes. Make great mistakes, make wonderful mistakes, make glorious mistakes. Better to make a hundred mistakes than to stare at a blank piece of paper too scared to do anything wrong.
I am sometimes visited by the heretical thought that there is no such thing as good and bad architecture, any more than there is good and bad nature. It is all in where you stand at the time.
When it comes to partisan politics, everyone is a hypocrite. And all they care about is whether it hurts or helps them ... Is it good or bad for the Democrats? Is it good or bad for the Republicans? Is it good or bad for Jews, or good or bad for blacks, or is it good or bad for women? Is it good or bad for men? Is it good or bad for gays? That's the way people think about issues today. There is very little discussion of enduring principles.
I want to be involved in things I can be really proud of. There's a lot of bad films being made and I don't understand how they got the money for it. That said, there's a lot of bad telly, but there's also a lot of very high quality that is something I'd be much more proud of than a mediocre film.
If we didn't want anything, we would never get anything, good or bad. I think our longings are natural, and if we act as nature prompts us we can't go far wrong.
If we want to change this culture of hate and bigotry, every one of us must stand up and speak with one voice to condemn it, because an attack on one of us is an attack on all of us.
Since the generality of persons act from impulse, much more than from principle, men are neither so good nor so bad as we are apt to think them.
Ati sarvatra varjayet: Excess of anything is bad. Some of us are attracted to Good. But the universe tries to maintain balance. So what is good for some may end up being bad for others... Agriculture is good for us humans as it gives us an assured supply of food, but it is bad for the animals that lose their forest and grazing land.
I think for us, we don't feel like the future of music is in the act of being a record company. We feel like the future of the music business is in empowering artists to have better and better tools to communicate with their fans. We want to be people who are saying to artists, "Look, you don't need that company over there to release your album. You can do it this way." Almost more of a band partnership than a label-artist relationship. Not about ownership of content, but about empowerment.
My respect for artists is very high. I think to get the most out of them, you have to liberate them. I think part of liberating them is saying, 'Come up with something brilliant, new, and fresh. Stop thinking based on what has been beat into you by executives or publishers in terms of what's going to work and what's not. Don't react, just act.'
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