A Quote by Corey Stoll

A play is not a tweet. It can't be compressed and embedded, and it definitely can't be delivered apologetically. — © Corey Stoll
A play is not a tweet. It can't be compressed and embedded, and it definitely can't be delivered apologetically.
Distortion pedals are just fantastic for not only rehearsing quietly but also for all those moments when you are going to play in highly compressed environments like radio, television, or recording against compressed loops.
For the records I've work on over the last 10 years, I get sent the really compressed version and the non-compressed version, and oftentimes you end up going with the more compressed one because it's what people's ears are attuned to. I think the bigger problem is saturation and people being desensitized.
I tweet when the tweet arrives. Never force a tweet or you will hurt your babymaker - and this is true of literature as well.
Everyone's going to have a racist tweet, a homophobic tweet, a xenophobic tweet, a misogynist tweet. Everyone's going to have a tweet or a post or something that's not going to be ideal, and because of that, you can't really throw stones too hard at the people that do, because if we examined your life in every way, shape, or form, went through every single post with a fine-toothed comb and under that microscope, would it come out all sunshine and lollipops?
Good speakers usually find when they finish that there have been four versions of the speech: the one they delivered, the one they prepared, the one the newspapers say was delivered, and the one on the way home they wish they had delivered.
Essentially, you become a top tweet because so many people are engaging with that tweet. They're either retweeting it, or they're favoriting it; they're doing one of many things to indicate to us that that tweet is interesting and engaging to users.
There might be people who have never even tweeted before who are just working on their great American tweet. It will be so good that we'll all have to stop Twitter right away. I would like to write the great American tweet. I don't think the great American tweet has been written yet. We'd know.
A tweet in an article can feel more permanent and louder than a tweet on Twitter.
I'm on Facebook and Twitter, and occasionally I will tweet something. Somehow my problem is that I don't think I have anything interesting to tweet about.
Tweet, tweet, you're alive, you ignorant asshole.
The only thing that you might see that is a planned tweet is if I am tweeting about an event or promoting an artist. But really, it is not planned. If I am sitting in front of my computer, I'm like, "Oh, okay, lets tweet about this and attach the link." I try to be spontaneous with the tweeting. It keeps it fun, you never know when or what I may tweet about.
90% of the functionality delivered now is better than 100% delivered never.
Twitter needs to continue being a good listener and recognize that the service has been redefined by lots of people, tweet by tweet, but also come up with its own priorities.
If you play the cultural game, it's like playing only with clubs or something, or playing only with the red marked cards. You have to play with a full deck, and that includes this pre-linguistic surround in which we are embedded.
I don't tweet. I don't know how to tweet.
No one who is in a state of fear or sorrow or tension is free, but whosoever is delivered from sorrows or fears or anxieties is at the same time delivered from servitude.
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