A Quote by Corey Taylor

But I always kind of knew in the back of my head that I could come back and do Stone Sour. — © Corey Taylor
But I always kind of knew in the back of my head that I could come back and do Stone Sour.
People that like Slipknot that could care less about Stone Sour, people that like Stone Sour that don't know a lot of Slipknot.
That meant I could come back whenever I could manage it. And she was telling me to go. She knew the decision was too big a load for me to carry by myself. She knew me through and through. She had eyes in the back of her heart.
I eased back on my elbows, tilting my head back to look up at the sky, which was pinkish, streaked with red. This was the time we knew best, that stretch of day going from dusk to dark. It seemed like we were always waiting for nighttime here. I could feel the trampoline easing up and down, moved by our own breathing, bringing us in small increments up and back from the sky as the colors faded, slowly, and the stars began to show themselves.
I will always make music with Stone Sour. Stone Sour will always be here.
These days in movies you can always come back to a location or do an insert or do something, so that's not even an issue any more. But coming back every day to the same plane, it messes with your head.
Slipknot is the darkness; Stone Sour is the light. Slipknot is chaos; Stone Sour is structure.
I found myself Tivoing because I was working so much last season [of Heroes], I Tivoed all of the episodes so I could come back and watch them back to back to back and I found myself like I could not put my remote down. I was like, "Just one more episode, please."
Always watch your back - when I was fourteen I got a tattoo of an eye on the back of my neck, so I could say I was always watchin' my back.
I think anytime you have any sort of injury, you know I've come back from a pulled hamstring in college one time, foot injuries. The movement that causes the initial jolt of pain you always kind of are tentative when you have to make that movement, especially as you kind of build back up.
Actually, time and time again people always come back to my early, more innocent stuff, and say, "I kind of prefer that." I could go back to writing that and probably make more people happy, but it just doesn't feel like the right thing to do. I don't want to take the lazy route.
When I'm working on a Slipknot song, it's like a switch flips in my head. I can go there easily - it doesn't take a lot of soul searching - and it's a dark, almost sinister place. Stone Sour is more the way I've always written. It's a different tone.
I knew about boxing, as my dad could fight. He had a successful security firm in Liverpool, and I'd see him come back from a jog before shadow boxing in the back yard. I'd watch and replicate what he was doing, as kids do. It's funny how things turn out.
There are very few voices that can speak with any kind of authority or credibility on what happened back during the time when WCW and WWF were going head to head, and I think the audience is interested in that period of time, clearly. And like I said, nobody could speak to it quite the way I could.
We could go back," he said. In the dome light of the car, his face looked hard as stone. "We could go back to your house. I can stay with you always. We can know each other's bodies in every way, night after night. I could love you." His nostrils flared, and he looked suddenly proud. "I could work. You would not be poor. I would help you." "Sounds like a marriage," I said, trying to lighten the atmosphere. But my voice was too shaky. "Yes," he said.
We're kind of wishing some parents would come back. And of course we're uneasy about the fact that we wish they'd come back - I mean, what's wrong with us?
If life could come back, if I could roll back the years, I would like to relive my most cherished moment, the Los Angeles Olympics.
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