A Quote by Corey Taylor
I've never tried to be anything but me. Even with Slipknot, where it can almost feel like a roll sometimes, it's still a part of who I am. It's a very strong and passionate part of who I am, and I'm lucky enough to have an audience that is really open to what I do.
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I am part of the sun as my eye is part of me. That I am part of the earth my feet know perfectly, and my blood is part of the sea. My soul knows that I am part of the human race, my soul is an organic part of the great human race, as my spirit is part of my nation. In my own very self, I am part of my family.
I am not 100% English, I am actually part Italian and even part Hungarian. Therefore I feel very much part of Europe both in my upbringing and outlook.
I am very lucky, because for the most part people are very nice to me, and I am still able to go about my life and ride the subway and all that.
It's such a wonderful feeling to watch a child discover that reading is a marvelous adventure rather than a chore. I know that many writers for children say they do not write specifically with a child audience in mind ... This isn't true for me. I am very aware of my audience. Sometimes I can almost see them out there reacting as I write. Sometimes I think, 'Oh, you're going to like this part.
I didn't feel like gymnastics were part of The Cars. I certainly philosophically didn't want to prod the audience to react to anything. To me, it was more like negative theater. We didn't really talk to the audience. I didn't see that being a part of this band.
I never envisioned myself playing for the U.S. Olympic team -- growing up, I never envisioned playing in the NBA, to be real with you. I never envisioned that type of stuff. So this is like a dream that I never had come true. It's like I'm a part of what's really going on. It's still very hard for me to believe that I am really going to be a part of the biggest thing in the whole entire world.
I have heard sometimes that men who lose an arm of a leg still feel that pain in those limbs, though they are gone,' said Will. 'It is like that sometimes. I can feel Jem with me, though he is gone, and it is like I am missing a part of myself.
I've always felt like I was an actor for hire. And almost apologetic for being a woman of color, trying to stifle that voice. But I don't feel that way in Shondaland. I feel like I am accepted into a world where I'm a part of the narrative - I'm a part of it.
I was so unsuccessful for so long. I was used to the word no. I was used to you're not good enough or not quite there or you need to fix this about you. So I am honestly walking in faith every single day that I am going to be able to handle whatever God has for me. I am not used to being in a place where people appreciate my work and understand my work and want to be a part of my work and getting something out of my work because for so long it was so misunderstood. The success part for me is the hardest part and everyday I'm still battling.
You can't take yourself too seriously. Like, yeah, I'm doin' all that, but still I don't feel like I've done anything, really. I feel blessed 'cause I'm doin' all these things, but I'm not satisfied. I still have that feeling like, "Who am I? Who am I to have an ego? Who am I to change up and act like some Hollywood character?" Technically, in the grand scheme of things, I haven't done anything.
You know what I am." The words breathed out in an auguished whisper. "I'm part demon, Clary. Part demon. You understood that much, didn't you?" His eyes bored into her like drills. "You saw what Valentine was trying to do. He used demon blood-used it on me before I was even born. I'm part monster. Part everthing I've tried so hard to burn out, to destroy.
Coast to Coast AM may just be the most unusual show I have ever witnessed or been a part of. You really almost have to be born into that arena, I think, in order to handle it. I was very lucky in that's the way I was guiding my own career. It was this thirst to really get to the bottom of some of these stories that kept pushing me.
I am often considered almost not a part of the profession of Establishment economists. I am even referred to as a sociologist. And by that, economists usually do not mean anything flattering.
I did [Michael Cimino] first movie, "Thunderbolt and Lightfoot," and I remember I was still in my twenties and very nervous, we're shooting up in Montana, and I'm thinking, "What the hell am I doing here? I don't feel anything like this part.
I am not good. I am not virtuous. I am not sympathetic. I am not generous. I am merely and above all a creature of intense passionate feeling. I feel—everything. It is my genius. It burns me like fire.
I make my patients feel like they're still part of life, part of some grand nutty scheme instead of alone with their diseases. With me, they still feel part of the human race.
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