A Quote by Corey Taylor
There's a certain darkness to Slipknot, but at the same time, there's a very strong dose of positivity. Stone Sour is the same way. There's a certain melancholy that comes with the slower stuff, but at the end of the day there's also that other side that is very positive. It's all how you deliver.
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Slipknot is the darkness; Stone Sour is the light. Slipknot is chaos; Stone Sour is structure.
All my racks are the same between Slipknot and Stone Sour. The only thing I'll do is switch out pedals in the GCX system. But it's the same heads, same wireless, same GCX.
People that like Slipknot that could care less about Stone Sour, people that like Stone Sour that don't know a lot of Slipknot.
If you are writing something, you automatically create a certain distance. It can be very little. Even within the same city you imaginatively have a certain distance from your subject, and at the same time, you have to have a connection.
The American people voted for a president, Donald Trump, who's very tough, very strong, very aggressive on terrorism, but at the same time smart. At the same time sophisticated. At the same time, heeding the wisdom of our founders who warned about entangling foreign engagement.
We're closer friends in Stone Sour than I am with the guys in Slipknot and that makes life a lot easier. I'm not trying to take anything away from Slipknot.
We're looking for a certain kind of realism or naturalism, and we go about it in different ways, but I think we're all striving for the same end result, which is to capture the patterns of conversations and how people interact in a very realistic way.
However, while being able to think about two things at the same time is a terribly convenient, the training it takes to get there is frustrating at best, and at other times rather disturbing. I remember one time I looked for the stone for almost an hour before I consented to ask the other half of me where I'd hidden it, only to find I hadn't hidden the stone at all. I had merely been waiting to see how long I would look before giving up. Have you ever been annoyed and amused with yourself at the same time? It's an interesting feeling, to say the very least.
Polaroid material has the most beautiful quality - the colors on one side, but then the magic moment in witnessing the image to appear. The time stands still and the act of watching the image develop can be shared with the people around you. In the fast world of today it's nice to slow down for a moment. At the same time Polaroid slows time, it also captures a moment which becomes the past so instantly that the decay of time is even more apparent - it gives the image a certain sentimentality or melancholy.
I left Stone Sour in '97 because, by that time, we'd been together for about five years and I was kind of getting to the point where I wanted to do something different. I loved the music that we did and I loved the guys that I was with, but I was 24 and just felt like I needed to go and try something different so I didn't get stuck where I was, you know, just doing the same thing. And, coincidentally, that's when Slipknot came and asked me to join. I'd never done anything like Slipknot up until then, so I was like, "Okay, we'll try this and we'll see what happens." And it worked out.
On some level, some of the challenges end up being similar, which is when you have a very emotional scene to shoot. As an actor, you have to prepare a certain way, but you also have to prepare a certain way when you're a director because you have to be sure you're telling the whole story.
For me Henry Corbin, the way that he writes about certain esoteric matters, is in a phenomenological way that refuses a New Age lens. But at the same time he's very much responsible for a lot of New Age thought, because he was a very syncretic thinker.
If I can give something to the next generation, I want to give a message of positivity, to believe in themselves, because I think the world has just a lot of unnecessary stresses to be a certain way, look a certain way, do certain things.
It may be that to eat and be eaten are the same thing in the end. My wisdom tells me that this is probably so. We are all made of the same stuff, remember, we of the Jungle, you of the City. The same substance composes us-the tree overhead, the stone beneath us, the bird, the beast, the star-we are all one, all moving to the same end. Remember that when you no longer remember me, my child.
The thing that impressed me then as now about New York… was the sharp, and at the same time immense, contrast it showed between the dull and the shrewd, the strong and the weak, the rich and the poor, the wise and the ignorant… the strong, or those who ultimately dominated, were so very strong, and the weak so very, very weak - and so very, very many.
I think I have a certain kind of style. I think at the same time, I'm aware that there's certain things that I did as a playwright in certain plays, and I try not to repeat myself, even though I have a certain kind of sensibility, and I tend to gravitate toward certain things.
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