A Quote by Corin Nemec
My favorite episode of Stargate? All of them! My favorite episode of Parker Lewis? All of them!
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My favorite writer on 'The X-Files' is this guy Darin Morgan. He wrote my favorite episode and the top five favorite episodes that everyone loves.
Oh my God the fantasies are my favorite thing that we do each episode by far. And the great thing now is that instead of one an episode sometimes we do as many as two. We did one in each of the mini-series. And so far - I mean I keep thinking I can't have another favorite and then they keep topping it.
The one thing that we wanted to make sure in the pilot [of "Mary and Jane"] is that we could go everywhere. Part of the fun of them being a delivery service is that they go to different areas episode to episode. We do have an episode in the beach and there is an episode in the luxury rehab. It's all different kinds of things we are making fun of in LA.
A lot of people ask me what my favorite episode of Full House was, I always tell them: it was the last one!
We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.
I wrote Steve Carell's last episode. I think it was a really good episode, but there's always a tension between what's good for the series and what's good for an episode, because the more closure you put on an episode, the more significant feeling it is.
Every year, I looked forward to Oprah Winfrey's Favorite Things episode. I watched with my notebook computer in my lap so I could Google the items and order them for the friends and family on my holiday gift-giving list.
I was talking to Shonda Rhimes the other day and I said, "I. Do. Not. Know. How. You. Do. This." While we're writing episode 10, episode 6 is shooting, episode 3 is in the edit, and episode 2 is in its color session...You've got seven episodes in different parts! It's a wild, wild, wild ride, which I thoroughly enjoyed. It was badass and amazing.
You can watch an episode of Friends or an episode of Law & Order and just drop in, but you're not going to in the middle of Season 4, Episode 5 of Lost. It's like picking up a Harry Potter book and flipping to a chapter. You have to read it from beginning to end.
Deaf people are struggling to find their favorite show or something that represents them. It's hard. There are some examples of shows that have a deaf storyline in one episode, like Cold Case, or another show where they are focusing on the cochlear implant or the medical aspect.
I've played four roles on 'Star Trek.' My favorite episode was 'The Visitor' on 'Deep Space Nine.'
The last episode of Dallas was in '1991.' Unfortunately, it was a terrible episode to end the show on: it was a sort of 'It's a Wonderful Life' with Larry as the Jimmy Stewart character. In that episode, I was an ineffectual-schlep kind of brother, who got divorced three or four times and was a Las Vegas reject.
Television moves so fast. A series moves at such a rapid pace and things are changing, episode to episode, where you're going, "Wait, why am I doing this? This last episode, you told me I was doing this." You're shooting at a moving target.
No episode is a priori condemned to remain an episode forever, for every event, no matter how trivial, conceals within itself the possibility of sooner or later becoming the cause of other events and thus changing into a story or an adventure. Episodes are like land mines. The majority of them never explode, but the most unremarkable of them may someday turn into a story that will prove fateful to you.
I always thought it would be funny to have the Parents Television Council write an episode of 'Family Guy' and give them full creative control. Then see how good the episode is. That's something we've actually discussed in the writers' room. We haven't proposed it yet, but if somebody from the PTC reads this, it might be worth discussing.
This idea that you can watch a show like 'True Detective,' and it was awesome, but is it really ruined for you if the finale is not your favorite episode of it? It's just odd to me.
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