A Quote by Corinne Bailey Rae

Reggae is not music I know inside-out. — © Corinne Bailey Rae
Reggae is not music I know inside-out.
You have to be logical and use international words so people can relate to reggae music. I'm the inventor of the word reggae music. I'm the one who coined the word reggae. So, whatever I put out on my label - my label called D & F Music - it has to be positive.
I feel good to know that they recognize the potential of reggae music. And they are exposing it to the world, letting the world hear how beautiful reggae music can be.
I've always been into music. I used to DJ. I used to mix reggae and that. I used to be into reggae hard. Well first it was rap, then reggae, then rap again, then rap and reggae. But I was always DJing out my window for the whole estate. Everyone used to sit outside and all and listen. And I used to be running rhythms in that.
Reggae music is a music of integrity; reggae's consciousness was built on a message. My music speaks of love, equality and spirituality, and I would hope that one finds this integrity in my music.
Reggae music don't really focus on one thing, you know. If reggae music is speaking about the struggle of people, and the suffering, it don't mean black people. It mean people in general.
I grew up with reggae. Reggae is like family. I know it, and there's a type of love and familiarity, but sometimes you want to hang out with other people.
People are beginning to recognize reggae music, and know it's a very powerful music, and researchers have been researching and coming up with reports that it's a great music, a healing music
I love reggae music; reggae music's like my go-to.
Reggae is my heart since I was a kid. I love Reggae music.
Reggae, oh man. It's the ultimate music. The positivity. The musicality. The whole cultural expressionism of it. The danceability. Just the cool factor. The melody factor. Some of it comes from a religious place. If there were a competition of who makes the best religious music, it would definitely be the Rastafarian reggae.
My African heritage is a part of reggae music roots, and the concept is that the album, 'Revelation Part 1: The Root of Life' is a tribute to roots reggae music. The fruit is what blossoms into different colors and shades, but the root has to stand predominant.
I have physical problems with listening to reggae. It's weird, I don't know why. It doesn't fit the way my heart pounds, and I feel very bad when I hear it. I have a neighbor--she's a waitress who comes home every night at four in the morning and she plays reggae very loud. I hate that. I can't sleep and I can't wake up either to that music.
When I was 17, I listened to reggae music. I loved Bob Marley. I started growing dreadlocks. It's always been my way, that the outside matches what's going on with me inside.
For me, reggae music and its aesthetic are touchstones in both simple and complex ways. Reggae's capacity to be a folk music that is created in a wholly modern context of the recording studio (and sometimes that is the sole performance space) is riddled with the kinds of contradictory impulses that we have come to expect from the post-modern. I revel in this, for it gives me, shall I say, permission.
I do have very solid reggae roots based on the fact that I'm Jamaican, and so that is a part of myself; even if I never do all reggae, it has to come out in some way because that's who I am.
The really cool thing about reggae music is that I can get away with saying spiritual things as a reggae influenced artist that I couldn't get away with saying as a rock artist. Reggae has such spiritual roots and people almost expect to hear spiritual things.
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