A Quote by Corinne Bailey Rae

I wasn't interested in fame, and I'm still not. So I never felt I had to match that first record in terms of commercial success. — © Corinne Bailey Rae
I wasn't interested in fame, and I'm still not. So I never felt I had to match that first record in terms of commercial success.
Commercial record has never interested me. It's amazing I was in a band like The Police that had such phenomenal commercial success. Part of what made The Police what it was was that we didn't all come in with obvious mainstream musical tastes. We were a rock band and somehow we had to make rock music, but it was informed by a lot of things outside of the mainstream for sure.
Commercial success still hasn't come to an artist that isn't signed to a record label. There are very few artists that can succeed without the help of a record label. The role of the record label is still required, it's still necessary.
Our first record as the Veronicas was a big mainstream success. Maybe if we'd had the indie record first, then the breakout record, it would have been supported by Triple J.
We've managed to have a long career that is still quite vibrant, yet we've never had to kow-tow to record companies who said we weren't commercial enough.
There are a lot of guys who have never had to go to a commercial break during their match.
By the time my first solo record came out, I was making a handsome living as a record producer. I had worked with the Band, Janis Joplin and all of these other artists in the Albert Grossman organization. So as my so-called solo career evolved, I never felt pressure that I had to come back and top when I might've done before.
I felt a certain modicum of success because I had been paid well to be an actor for the first time in my life, but I felt like I had done adolescent work on the show, and stepping into the New York theater arena was the first time I felt like I'd come into my own. I felt like I was proving myself in a gladiatorial arena.
There's a bunch of songs that I call B-sides on the record that you could argue could maybe have some potential commercial success with another artist, but for me, they just felt really whack.
Most of my records are never going to be commercial successes, and I don't expect that. It's just all a learning process to me. If something appears as a failure, fine. If there's success, fine. I like the record, and my friends like the record, and that's kind of all I can really care about.
It never really felt like I had a lot of substance in my life. I had broken up with my former husband (Ron Samuels) and I kind of looked around. I didn't have a lot of friends. I had become isolated by fame. I longed for a family and some substantive relationships. Fame is a vapor. You can't grab hold of it.
I still felt we had some really good music on that record, but it's a shame that we couldn't make it better. And the tour was a total mess. We just had no life, no energy, and I felt we were going through the motions.
We ceased to be a band the moment we made it. It left us with nothing. We felt like a failure although we had commercial success.
People get to a certain age and success that they stop being curious. I'm still curious because I haven't really had that success. I've never done a record to catch whatever the latest sound is. It's my love of music, eclectic-ness, and the music that I heard my entire life that seeps in. That's what you're hearing.
It's interesting: I never got stressed before wrestling matches. I always felt completely confident that I had done everything I could do, all my mental preparations when I sat down and envisioned the match, so I never felt stressed.
Staying interested in a match is a lot harder than many people think. Throughout my career, I've always had trouble in the early rounds of a tournament mainly because it was hard for me to psychologically get up until I got to the quarters or the semis. What happened a lot of times is that I would fall behind early, maybe even lose the first couple of sets in a five-set match and then begin to concentrate. Still it wasn't something I could control from the start.
We wanted the freedom to be playful, to experiment and do what we felt like doing, but we were heavily affected by the success that the first record gave us.
This site uses cookies to ensure you get the best experience. More info...
Got it!