A Quote by Corinne Bailey Rae

Playing gigs is what it's about for me. — © Corinne Bailey Rae
Playing gigs is what it's about for me.
Guitar gigs were everywhere in the '50s, and I started diddling around so I could keep working. Playing honky-tonk, simple stuff. I took a few gigs with an organ band that put me out front.
It was 2002, we all got guitars for Christmas and started playing in my garage that summer, rehearsed there and in a warehouse for a bit for about a year. We did our first gig in June 2003 and we played a few gigs in and around Sheffield for a bit then started doing gigs outside of Sheffield about this time last year, recording demos while all this was going on.
When the Strokes first started playing gigs, instead of getting into a costume for the shows, we talked about how we should dress every day, in real life, like we're playing onstage. I don't really care about clothes, but it's about wearing something that gives you social confidence. Or maybe helps you pick up chicks.
I had a drag mom but she didn't really teach me about makeup. She just basically stuck me into gigs. And then I borrowed clothes from her and her drag to play the gigs.
By the time I was about 15, I was out playing gigs and knew I was going to be a musician.
I learned a lot from playing those late-night, 1-to-4 A.M. gigs with my band, and playing when no one was listening.
My cousin Joey played the drums. We used to go to his house, I liked beating on his drums. I beat the hell out of 'em, you know? Finally in 1961, I don't know, I guess I was about 15, I got serious about it. My parents bought me a little drum set and I was playing for about 6 months when I started doing gigs.
I've been playing live gigs since I was 13. I really don't know how to do anything else, and please God strike me down.
I learned so much about playing and touring being on the road and in the studio with Jeff, but I'd always played a lot of gigs in Seattle even prior to joining the Fusion.
I met the pianist Barry Harris when I was about fifteen. He would show me changes, which I had no idea existed. I knew about scales, but I didn't think about chords. I was fortunate in that he lived right around the corner so I'd be at his house almost every day and he showed me about playing melodies over chords. After about three years, I could play some gigs. I worked with drummer Roy Brooks and other guys my age at that time, like trumpeter Lonnie Hillyer. Some of the older guys were Paul Chambers, Doug Watkins and Louis Hayes
Just to be around that, to feel a part of it and be able to integrate the experience while I was with the Messengers, of going and playing gigs with other drummers, gave me the chance to realize that it was not just me that was making it happen.
For me, practice isn't doing scales but doing things like writing, jamming with other people, or playing gigs.
After my day at the Uni winded up, I used to go and perform gigs - I used to look forward to playing in front of an audience. It was when people came to me and gave me positive feedback that I got the confidence to pursue this as a dream.
I learned the songs and played the gigs, and then they called me about a month later. They told me they were like super stoked on me and asked me to join their band.
I enjoy playing the band as the band. I 'be' the whole band and I'm playing the drums, I'm playing the guitar, I'm playing the saxophone. To me, the most wonderful thing about playing music is that.
For a long time, my shows were about people walking out or about getting my gigs canceled or having the presenter not wanting to pay me.
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