A Quote by Cormac McCarthy
If people knew the story of their lives, how many would then elect to live them?
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No one can tell you what your life is goin to be, can they? No. It's never like what you expected. Quijada nodded. If people knew the story of their lives how many would then elect to live them?
If people knew the story of their lives how many would then elect to live them? People speak about what is in store. But there is nothing in store. The day is made of what has come before. The world itself must be surprised at the shape of that which appears. Perhaps even God.
I'm not an example for how people should live their lives. Never in my life would I ever set out to be an example for people on how to live their lives. If you need an example for how to live, then you just shouldn't have been born. Straight up.
If people knew how badly animals were treated in today's factory farms, if people knew how completely confined and immobilized these creatures are for their entire lives, if people knew how severe and unrelenting is the cruelty these animals are forced to endure, there would be change. If people knew. But too many of us choose to look the other way, to keep the veil in place, to remain unconscious and caught in the cultural trance. That way we are more comfortable. That way is convenient. That way we don' t have to risk too much. This is how we keep ourselves asleep.
Where do people earn the Per Capita Income? More than one poor starving soul would like to know. In our countries, numbers live better than people. How many people prosper in times of prosperity? How many people find their lives developed by development?
I've always wondered what it would be like if the Messiah, or Christ Returned, were actually alive and living in our society; who would that person be, how we would identify them, how would they live and what would they believe in, how would society react to them? I decided to try and tell my idea of that story.
How many of those who are insecure seek power over others as a compensation for inadequacy and wind up bringing consequences down upon their heads and those around them? How many hide out in their lives, resist the summons to show up, or live fugitive lives, jealous, projecting onto others, and then wonder why nothing ever really feels quite right. How many proffer compliance with the other, buying peace at the price of soul, and wind up with neither?
I thought that it's so sad there are people who live their entire lives lonely. They die and no one goes to their funeral. I thought about how sad that was and how so many people out there have that path. I know this sounds weird, but if I could go take their bones back to my house and appreciate them for what they are, it would be my way of taking that loneliness away.
[It] was written and sold. I knew it was a strong story because I cared about it and believed in it. I had no idea that it would have the effect it had on the audience. While most people ignored it, of course, and continue to live full and happy lives without reading it or anything else by me, there was still a surprisingly large group who responded to the story with some fervency.
The harder part of doing a real story is that there are real people and you have a responsibility to not just go crazy with their lives and have them do things which are not their character, that they then have to live with.
I am a nonbeliever myself. But I think there's so much about religion that is not factual in nature as to why people engage with it and what it means to them. You can debunk why you think there's no physical evidence for God and why the story of Jesus didn't really happen that way and stuff like that all the live-long day, and it's not going to make a difference to what role religion has in people's lives and how they feel about it and how it makes their lives better or worse.
I had been to the South many times and I thought I knew what the South was, but not until you live with people and live through their lives do you know what it's really about.
I very much write from characters. Those people start speaking, and then I have them in the house with me and I live with them. Then at some point, it's time to get them out of the house. You can only live with someone like Dr. Georgeous Teitelbaum from THE SISTERS ROSENSWEIG for so long, and then it's time for her to go. But it is very like having the company of these people and trying to craft them in some way into a story.
We may not usually think that we have an effect on the lives of others, but we would be amazed at how wrong we could be. We do not need to make great contributions to the world-just small, consistent ones to those whose lives we touch. We could help so many people by just taking the time to listen to them, comfort them or just bring them hope.
If I was prime minister for a day the first thing I would do would be to close the border. Then we could work out how many people we've got here. Then you get people out who have committed crimes and you look at others who shouldn't be here. Nobody knows how many people we've got here.
What I learned in 'Sons' is that I would come in with a blueprint of a season and how it would go, and I realized that the looser my grip was, the better it became because the story found itself. Things happened as I wanted them to in terms of the bigger mile markers, but the fun part was I never knew how we would get there.
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