A Quote by Cormac McCarthy

The judge placed his hands on the ground. He looked at his inquisitor. This is my claim, he said. And yet everywhere upon it are pockets of autonomous life. Autonomous. In order for it to be mine nothing must be permitted to occur upon it save by my dispensation.
The autonomous individual, striving to realize himself and prove his worth, has created all that is great in literature, art, music, science and technology. The autonomous individual, also, when he can neither realize himself nor justify his existence by his own efforts, is a breeding call of frustration, and the seed of the convulsions which shake our world to its foundations.
The key with autonomous is the whole ecosystem. One of the keys to having truly fully autonomous is vehicles talking to each other.
I do believe that the Kurds are in a difficult situation. They do have some American support. How consistent that will be is unclear. But they have built up a strong military, and they have begun to build the institutions of an autonomous life in Northern Syria. Turkey's enmity towards the Kurds and their desire to make sure there is no independent Kurdish state or even really autonomous enclave is going to push the Kurds into Bashar Assad's hands over time.
There’s nowhere to escape,” Dobey said, jamming his hands into his pockets and staring into the Valley. That’s not true, baby,” said Desiree. She took his hands and pulled him to her, wrapping her legs around his torso. She could feel the sobs in both of them, but quiet, silenced by the kiss. They could escape inside each other.
Misfortune occurs or can occur to anyone, of any sort of character. The eudaimonic has more resources to avoid it (being in autonomous control of his appetites and assumptions) and more resources to deal with it if it occurs (being better able to put it in perspective and maintain his own evenness of self-mastery). Tragedy as a dramatic form is meant to foster the ethos of sophrosyne or moderation, "nothing to excess"; it nurtures a sense of distance from the dominant illusions and delusions that may infect even aristoi.
He (Jace) glanced down at his bound hands. His wrists and shoulders had gone from aching to hard, stabbing pain, but he didn’t wince as the inquisitor regarded one of the blades, named it Jophiel, and plunged it into the polished wooden floorboards at her feet. He waited, but nothing happened. “Boom,” he said eventually. “Was something supposed to happen there?” ~pg.303~
Today we are raised with the notion that to be secure is to be financially autonomous. Amassing wealth is viewed as the primary rite of passage to a secure, autonomous existence.
I was touching on the idea of the autonomous militaristic or autonomous law enforcement idea, but it wasn't the primary driving force.
The good man is he who rules himself as he does his own property: his autonomous being is modelled on material power.
I probably have a very controversial view on autonomous driving versus anybody else in the auto industry. I don't believe that it makes any sense for an automaker to develop autonomous driving.
Mine is not an autonomous imagination.
You are not going to walk out one day and go to your local car dealer, and the lot is going to suddenly switch from non-autonomous cars to autonomous cars.
...So in his own way Guy Clinch confronted the central question of his time, a question you saw being asked and answered everywhere you looked, in every headline and haircut: if, at any moment, nothing might matter, then who said that nothing didn't matter already?
When an apologist attempts to be autonomous in his reasoned argumentation he indicates that he considers God to be less certain than his own existence and that he places greater credence in his independent reasoning than in God's Word.
Images detached from every aspect of life merge into a common stream, and the former unity of life is lost forever. Apprehended in a partial way, reality unfolds in a new generality as a pseudo-world apart, solely as an object of contemplation. The tendency toward the specialization of images-of-the-world finds its highest expression in the world of the autonomous image, where deceit deceives itself. The spectacle in its generality is a concrete inversion of life, and, as such the autonomous movement of non-life.
An actor must interpret life, and in order to do so must be willing to accept all the experiences life has to offer. In fact, he must seek out more of life than life puts at his feet. In the short span of his lifetime, an actor must learn all there is to know, experience all there is to experience, or approach that state as closely as possible. He must be superhuman in his efforts to store away in the core of his subconscious everything that he might be called upon to use in the expression of his art.
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