Rhyme to kill, rhyme to murder, rhyme to stomp,
Rhyme to ill, rhyme to romp,
Rhyme to smack, rhyme to shock, rhyme to roll,
Rhyme to destroy anything, toy boy.
On the microphone:
I'm Poppa Large, big shot on the East Coast.
I came in the door, I said it before
I never let the mic magnetize me no more.
But it's biting me, fighting me, inviting me to rhyme,
I can't hold it back...I'm looking for the line.
Taking off my coat, clearing my throat,
My rhyme will be kicking until I hit my last note.
A sentence of death and infamy was often founded on the slight and suspicious evidence of a child or a servant: the guilt [of the defendant] was presumed by the judges [due to the nature of the charge], and paederasty became the crime of those to whom no crime could be imputed.
Imposition of the death penalty is arbitrary and capricious. Decision of who will live and who will die for his crime turns less on the nature of the offense and the incorrigibility of the offender and more on inappropriate and indefensible considerations: the political and personal inclinations of prosecutors; the defendant's wealth, race and intellect; the race and economic status of the victim; the quality of the defendant's counsel; and the resources allocated to defense lawyers.
This is what rhyme does. In a couplet, the first rhyme is like a question to which the second rhyme is an answer. The first rhyme leaves something in the air, some unanswered business. In most quatrains, space is created between the rhyme that poses the question and the rhyme that gives the answer - it is like a pleasure deferred.
Some rhyme a neebor's name to lash;
Some rhyme (vain thought!) for needfu' cash;
Some rhyme to court the countra clash,
An' raise a din;
For me, an aim I never fash;
I rhyme for fun.
A defendant on trial for a specific crime is entitled to his day in court, not in a stadium or a city or nationwide arena.
Publicly, defense lawyers cling to the text book theory that the defendant has no burden of proof and that no negative inference should ever be taken when a defendant doesn't defend himself on the witness stand.
We should not televise trials. There's only one purpose for a criminal trial. It's to determine whether or not the defendant committed the crime. Anything that interferes or has the potential of interfering with that should automatically be prohibited.
In 1967, in DeKalb v. DeSpain, a court (255 F.Supp. 655. N.D.Ill. 1966.) took a 4-line nursery rhyme used by a K-5 kindergarten class and declared the nursery rhyme unconstitutional. The court explained that although the word 'God' was not contained in this nursery rhyme, if someone were to hear the rhyme, he might think that it was talking about God - and that would be unconstitutional!
My dad got me the same mic I use on everything now - this $200 mic from Guitar Center.
When I began rapping, I only had one form at my disposal. All I had, all I needed was a rhyme verse; sixteen bar, thirty-two bar, whatever it was. If I had an idea it came out as a rhyme. When I challenged myself to think beyond that, my first thing other than a rhyme that I wrote was a play.
The best crime stories are always about the crime and its consequences - you know, 'Crime And Punishment' is the classic. Where you have the crime, and its consequences are the story, but considering the crime and the consequences makes you think about the society in which the crime takes place, if you see what I mean.
At first I was laboring under the impression that Chinese lyrics didn't rhyme. That turned out to be untrue - they don't rhyme in translation.
I mean, when it's time to rhyme rhyme, I can get down for mine.
If a juror feels that the statute involved in any criminal offence is unfair, or that it infringes upon the defendant's natural god-given unalienable or constitutional rights, then it is his duty to affirm that the offending statute is really no law at all and that the violation of it is no crime at all, for no one is bound to obey an unjust law.