A Quote by Cornel West
I was a gangster when I was young. I had a Robin Hood mentality and tended to always want to support the weak against the strong, but sometimes it was cohesive and I really needed to fall in love with the power of education to find the right venue to express my rage. I still have a righteous indignation at injustice, no matter what form it takes.
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I still have a righteous indignation at injustice, no matter what form it takes. It could be homophobia, it could be white supremacy, male supremacy, imperial arrogance, class subordination or whatever.
I am always suspicious of righteous indignation. Nothing is more cruel than righteous indignation.
If you outlaw half a million people you make martyrs of them. For example, if you outlaw Robin Hood, it is all very well, but if you outlaw a whole group of people around Robin Hood, then Robin Hood and his merry men become legends.
My 1974 album 'Mind Over Matter' was a detailed thing about Watergate. I always had some righteous indignation.
I realized that my righteous indignation was a form of entertainment for me. I loved getting pissed off at injustice. I didn't do anything about it, I just liked the feeling of being pissed off.
If you want to fall in love, you can't hold everything in. You have to open up, take that risk. You'll be hurt sometimes, but if you don't, you'll never be happy. The one you find may not be the kind of woman you expected to fall in love with, but it wont matter, you'll love her for exactly what she is.
No matter how good you are, your mentality has got to be right. A lot of young players, that's where they go wrong, and that's what I've always seen when I was growing up - players who are almost there but couldn't quite get there because the mentality wasn't right.
I was proud of 'Robin Hood,' even though critics wrote negative things. But I had to laugh when this big, shaven-headed Hungarian stunt guy first saw me. He said, 'You Jonas? You playing Robin Hood? You need to go to the gym today.' So I thought, 'I'm going to show people.'
I have lived my life, and I have fought my battles, not against the weak and the poor - anybody can do that - but against power, against injustice, against oppression, and I have asked no odds from them, and I never shall.
The problem with righteous indignation is that even when you're right, you're still left feeling indignant.
What she had believed was indignation or rage or a deep intolerance for injustice came down to this: she was irreducibly in love with this bewitching planet, this thrilling life, this heartbreaking species she belonged to, with its capacity for stupefying destruction and breathtaking magnanimity.
And, like poor Phaedra, we fall in love not with who we want to fall in love with, but with one who moves us, and sometimes it is the last person we should fall in love with. Our involuntary choice is not always the right one, and sometimes it is actually the worst one, hence our suffering. And then, of course, there is the completely different situation of the loving people where, over the years, the love they once felt for each other fades and they can't go on. They feel their love dying, but are unable to bring it back to life.
Robin Hood had it right.Humanity's deepest wish is to spread the wealth.
I thought I'd write a massive postmodern novel about Richard the Lionheart and Robin Hood, but it turns out they couldn't have met because the first mention of Robin Hood appears 60 years after Richard died.
I believe I've passed the age of consciousness and righteous rage. I've found that just surviving is a noble fight. I once believed in causes too; I had my pointless points of view. And life went on no matter who as wrong or right.
I always want to be doing both to travel as a teacher and lecturer, and to be a musician. I think in this generation institutionalizing the art form and spreading it to the younger generation through education is really important for all artists to have some hand in. Right now in popular culture and the mainstream, it's not a big part at all. I think education by young artists talking to young people, not just older people talking to young people, it gives an experience never felt before. I think over the years it will do a lot for the music.
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