A Quote by Cornel West

I think the important thing to understand first and foremost about Michael Jackson is that he was the international emblem of the African American blues spiritual impulse that goes back through slavery - Jim Crow, Jane Crow, up to the present moment, through a Louis Armstrong, through a Ma Rainey, through a Bessie Smith, all the way to John Coltrane, Aretha Franklin and Nina Simone.
I'm not pessimistic, because poor people tend to bounce back. We've been through worse than this - working people been through worse than this. We've got slavery and Jim Crow. We've got workers with no rights up until `35. We're going to bounce back. We are resilient, resisting people. So, it's not pessimism, but it is blues-like. It's not optimistic. We're just prisoners of hope, that's all.
That's one of the biggest losses, I think, to African American families, is that people, once they left, they turned away from the South. They didn't look back, and they often didn't tell their children about it. They didn't want to talk about it. It was too painful, what they'd gone through and the caste system of the South, which was Jim Crow.
Since the nation's founding, African Americans repeatedly have been controlled through institutions such as slavery and Jim Crow, which appear to die, but then are reborn in new form, tailored to the needs and constraints of the time.
The common root, of course, comes out of Africa. That's the pulse.The African pulse. It's all the way back from . . . the old slave chants and up through the blues, the jazz, and up through rock. And it's all got the African pulse.
I think I was probably an early teenager when I discovered Bessie Smith, Ma Rainey and a bunch of people that are on a long list of artists. They were important to me, especially as an early adolescent.
I grew up with music in the house. I was told I could sing as soon as I started talking. Everybody in my family sang, always lots of records, blues and jazz and soul, R&B, you know, like Mahalia Jackson, Aretha Franklin, Coltrane, that kind of thing.
People talk about Jim Crow as if it's dead. Jim Crow isn't gone. It's adjusted. Look at the disproportionate sentences meted out to blacks caught up in the criminal justice system. There's a problem when people profit from putting and keeping African Americans in prison. We need to do a better job as a nation understanding the real values the country's built upon in terms of fairness, equality and equal opportunity.
I wanted to remind myself and others of the old Jim Crow, so that we can remind ourselves that we're still living in the new Jim Crow. I feel it's important to dress in the fashion of the times.
I think I copied my style from Louis Armstrong. Because I used to like the big volume and the big sound that Bessie Smith got when she sang ... So I liked the feeling that Louis got and I wanted the big volume that Bessie Smith got. But I found that it didn't work with me, because I didn't have a big voice. So anyway between the two of them I sorta got Billie Holiday.
I can tell you as a black person in South Carolina whose grandparents grew up through Jim Crow, when you lose the courts and justice no longer becomes just, we're in a world of trouble.
You cannot be responsible for Jim Crow. You can not be responsible for racism. This is much more a problem for the person exercising racism.You are confronted with the reality of racism when you go in the streets, when the eyes of others come upon you. [James] Baldwin goes back with you to all the experiences you went through and gives a name to them, and explains why it is like this.
I think that critiquing the myths of our society and helping people find their way through them is a very important thing. It's a theme that goes through all of my work.
I'm first and foremost an Irishman, by birth, by nature, by soul, but an American citizen through and through as well.
German writings attain popularity through a great name, or through personalities, or through good connections, or through effort,or through moderate immorality, or through accomplished incomprehensibility, or through harmonious platitude, or through versatile boredom, or through constant striving after the absolute.
Tone is always such an important thing, and that's achieved through a multitude of people. It comes through the writing, it comes through the way it's shot, and it comes through the production design and the sound design.
Learn by doing. Learn through experiences. And this goes back to Steve Jobs' thing - which is the way you open up your knowledge of the world is by discovering it and learning about it, not through books, but by being there.
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