A Quote by Cornelia Funke

Books are like flypaper, memories cling to the printed pages better than anything else. — © Cornelia Funke
Books are like flypaper, memories cling to the printed pages better than anything else.
If you take a book with you on a journey," Mo had said when he put the first one in her box, "an odd thing happens: The book begins collecting your memories. And forever after you have only to open that book to be back where you first read it. It will all come into your mind with the very first words: the sights you saw in that place, what it smelled like, the ice cream you ate while you were reading it... yes, books are like flypaper—memories cling to the printed page better than anything else.
I need my trusty Mac laptop to write. I can't work with anything else. I'm used to the feel of the keys. I also like, more than anything else, Apple's Pages.
The reason I love comics more than anything else is that the longest story will be just a few pages. With a novel, it takes so many pages to get to one thing happening.
I pledge to set out to live a thousand lives between printed pages. I pledge to use books as doors to other minds, old and young, girl and boy, man and animal. I pledge to use books to open windows to a thousand different worlds and to the thousand different faces of my own world. I pledge to use books to make my universe spread much wider than the world I live in every day. I pledge to treat my books like friends, visiting them all from time to time and keeping them close.
Some of us cling to our curses if we haven't anything better to cling to!
I don't mind saying, you know, that I don't take a salary from the church, and God has blessed me with more money than I could imagine from my books. It's been printed all over, so I don't feel like I am hiding anything.
You're able to use a search engine, like Google or Bing or whatever. But those engines don't understand anything about pages that they give you; they essentially index the pages based on the words that you're searching, and then they intersect that with the words in your query, and they use some tricks to figure out which pages are more important than others. But they don't understand anything.
Memories, pressed between the pages of my mind. Memories, sweetened through the ages just like wine.
I feel like, for me, reading Thomas Merton is like “Wait a minute, this is a rabbit hole. This isn’t a gateway or a ticket to anything except itself”. When you're a ways into it, you're five pages in, 20 pages in, 30 pages in, it seems like one of the more oxymoronic undertakings you could attempt.
I'm so used to artists saying to me, "Listen, I'm going to have five pages done next week," and then three weeks later I'm phoning them, begging them for two pages. And Stuart [Immonen]is a guy who will promise you five pages and deliver six pages, and the six pages are even better than you could have ever imagined.
More than anything, the journal wanted. It wanted more than it could hold, more than words could describe, more than diagrams could illustrate. Longing burst from the pages, in every frantic line and every hectic sketch and every dark-printed definition. There was something pained and melancholy about it.
A pretty girl is better than a plain one. A leg is better than an arm. A bedroom is better than a living room. An arrival is better that a departure. A birth is better than a death. A chase is better than a chat. A dog is better than a landscape. A kitten is better than a dog. A baby is better than a kitten. A kiss is better than a baby. A pratfall is better than anything.
There was something in the pages of these books that had the power to make him feel better about things, a life raft to cling to before the dark currents of memory washed him downstream again, and on brighter days, he could even see himself going on this way for some time. A small but passable life. And then, of course, the end of the world happened.
The Nice Guys movie was the first time in my career where what I wrote on the pages is on the screen. I'm more proud of it than anything else I've done. It is effectively what I wanted. If this movie's bad, it's my fault. It's not somebody else who changed or censored or edited it. This is the stuff I wanted, and that's what's on the screen, and if you don't like it, it's my bad.
Paintings may not have nearly the power to convert people that the printed or spoken word has, but each man has his part to play in the human and divine drama - some persons just a few lines, others whole pages. To refuse to play one's role at all is not the answer. It is better to light one candle than to curse the darkness.
I do not believe that all books will or should migrate onto screens: as Douglas Adams once pointed out to me, more than 20 years before the Kindle turned up, a physical book is like a shark. Sharks are old: there were sharks in the ocean before the dinosaurs. And the reason there are still sharks around is that sharks are better at being sharks than anything else is.
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