A Quote by Cornelia Funke
It's the same in real life: Notorious murderers get off scot-free and live happily all their lives, while good people die - sometimes the very best people. That's the way of the world.
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In real life, good people die all the time and a**holes can live long and happy lives. It's a crapshoot.
Believing a person deserves a defence is not the same as doing anything in your power to get him off scot-free.
Who Honors those we love for the very life we live? Who sends monsters to kill us...and at the same time sings that we'll never die? Who teaches us what's real...and how to laugh at lies? Who decides why we live and what we'll die to defend? Who chains us...and who holds the key that can set us free? It's you. You have all the weapons you need. Now fight!
Sometimes people are good, and they do just what they should. But the very same people who are good sometimes are the very same people who are bad sometimes. It's funny but it's true. Its the same isn't it, for me and . . .
For me, the best journalism is usually the best storytelling, and the best stories are those of real people. Sometimes those real people are people in positions of great prominence or power or adverse situations, and sometimes it's just normal folks who help illuminate a situation, a place, a culture. And for me, that's always been the best way of telling a story.
The unreal is more powerful than the real. Because nothing is as perfect as you can imagine it. Because its only intangible ideas, concepts, beliefs, fantasies that last. Stone crumbles. Wood rots. People, well, they die. But things as fragile as a thought, a dream, a legend, they can go on and on. If you can change the way people think. The way they see themselves. The way they see the world. You can change the way people live their lives. That's the only lasting thing you can create.
When I was younger, I just lived my life on paper. I didn't really live in the real world very much. As a consequence, I couldn't cope with the real world and real people very well. That in itself became life threatening, so I had to stop drawing so much and learn how to cope with people.
Suicide is the dumbest possible way of getting revenge. Why is that? Because the people you want to strike back at are the very same folks who won't even remember you a week after you're gone, while the people you want to spare most -- the people who love you -- are the ones who will have to live with the pain of your suicide for the rest of their lives.
I'm not super open to new people. I have a small group of people I trust. I'm very intuitive, so I'm good at feeling out how people are, like if they have bad intentions. Sometimes I'm very closed off, which annoys me, but I think it's for the best.
I don't understand people who just live to exist, live to be OK. Live to be regular, live to be average. It doesn't make any sense to me. I live to be the best. I don't live to be good. You only get one life, and I live to be great. I live to be special.
Elsewhere the world may be blustering or sleeping, wars are fought, people live and die, some nations disintegrate, while others are born, soon to be swallowed up in turn - and in all this sound and fury, amidst eruptions and undertows, while the world goes its merry way, bursts into flames, tears itself apart and is reborn: human life continues to throb.
Yes, both 'Being Human' and 'Outlander' are known for their loyal fanbases. The beauty of both of those jobs was that the characters were very removed from me. So I've been lucky to get off scot-free, without any strange encounters. The wigs, blood, and strange onscreen faces/voices - they haven't found their way into my day-to-day life. Yet.
As a Scot, I instinctively feel a sympathy towards a culture which is based on generosity. It's very refreshing. Afghans think they're the best people in the world and their country is the best place in the world, and it's strange because you go there and it doesn't really look like it, and yet they assume that everybody else envies them.
In the case of 'The Deep,' because of the people involved, the talent and the real lives of people who died, I wanted to make the most honest film I could. And sometimes that's the best way to go: Just make the best version of the film you can.
People who know there is a god and people who know there isn't live in exactly the same world. Same number of hours in the day, same weather, same football results. They both love their children and die of the same diseases.
My job is to communicate to the American people that the Muslim world is filled with extraordinary people who simply want to live their lives and see their children live better lives. My job to the Muslim world is to communicate that the Americans are not your enemy. We sometimes make mistakes. But if you look at the track record America was not born as a colonial power, and that the same respect and partnership that America had with the Muslim world as recently as 20 or 30 years ago, there's no reason why we can't restore that. And that I think is going to be an important task.
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