A Quote by Cornelia Funke
Why did death make life taste so much sweeter? Why could the heart love only what it could also lose?
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Drake. He liked dangerous pies." "Why did he join you?" "Who would eat pie that could take over your life? Why risk it?" "Focus. Why did he join you?" "Say no to death pies. Another good motto. I'm getting a headache." p. 432
Choking with dry tears and raging, raging, raging at the absolute indifference of nature and the world to the death of love, the death of hope and the death of beauty, I remember sitting on the end of my bed, collecting these pills and capsules together and wondering why, why when I felt I had so much to offer, so much love, such outpourings of love and energy to spend on the world, I was incapable of being offered love, giving it or summoning the energy with which I knew I could transform myself and everything around me.
Why do we cling to life and why are we afraid of death? You may not have thought about it. The reason why we cling so much to life and why we are afraid of death is just inconceivable. We cling to life so much because we do not know how to live. We cling to life so much because really we are not alive. And time is passing and death is coming nearer and nearer. And we are afraid that death is coming near and we have not lived yet.
The heart was a weak, changeable thing, bent on nothing but love, and there could be no more fatal mistake than to make it your master. Reason must be in charge. It comforted you for the heart's foolishness, it sang mocking songs about love, derided it as a whim of nature, transient as flowers. So why did she still keep following her heart?
If I wanted to work financially, I would have made a series of different choices. I do get offered lots of movies which you could make a lot of money out of. And I always say, 'Why would I do that, when someone else could do it much better than me? Why would I want to do an action picture? Why?
If I wanted to work financially, I would have made a series of different choices. I do get offered lots of movies which you could make a lot of money out of. And I always say, 'Why would I do that, when someone else could do it much better than me? Why would I want to do an action picture? Why?'
For the first time [with the Bible] - I know this sounds so corny - but I knew love. I had such an empty love tank. I had all the questions to life that didn't make sense. Two and two didn't add up to four. From my father's death - if you loved me, why did you leave me? Why did you kill yourself? And so when this happened, it took my life in a completely different direction.
But one thing she [Rachel] did believe in was love. She believed that you could smell it, that you could taste it, that it could change the entire course of your life.
I know I can do so much more than this, I know that I could be a life force, could love with a heart full of soul, could feel with the power that flies men to the moon. I know that if I could just get out from under this depression, there is so much I could do besides cry in front of the TV on a Saturday night.
Why do all men have to suck? I knew you all sucked and still I stupidly fell in love with one of you. Why? Why would I be such a masochist? You pour your heart out to a man and what does he do? ‘Could you change the channel, babe?’ You’re all pathetically cold. You don’t care about anyone but yourselves! (Kat)
Why did he have to be so gorgeous? Why did he have to stand so close, and why did I still love him so much?
I am jealous of everything whose beauty does not die. I am jealous of the portrait you have painted of me. Why should it keep what I must lose? Every moment that passes takes something from me and gives something to it. Oh, if it were only the other way! If the picture could change, and I could be always what I am now! Why did you paint it? It will mock me some day—mock me horribly!
I fear You and, yes, I love You: and yet I cannot believe. Why could You not let me believe, where so many believed? Or else, why could You not let me deride, as the remainder derided so noisily? O God, why could You not let me have faith? for You gave me no faith in anything, not even in nothingness. It was not fair.
But once a dead God, always a dead God, even resurrected. The Son must have the taste of death forever in his mouth. The Trinity must be tainted by it; there must be a certain stench at the right hand of God the Father. The horror must be real. Why would God wish that upon Himself? Why not leave death to mortals? Why make dirty what is beautiful, spoil what is perfect? -- Love. That was his answer.
Why do we smile? Why do we laugh? Why do we feel alone? Why are we sad and confused? Why do we read poetry? Why do we cry when we see a painting? Why is there a riot in the heart when we love? Why do we feel shame? What is that thing in the pit of your stomach called desire?
You’ll get over it…” It’s the clichés that cause the trouble. To lose someone you love is to alter your life for ever. You don’t get over it because ‘it” is the person you loved. The pain stops, there are new people, but the gap never closes. How could it? The particularness of someone who mattered enough to grieve over is not made anodyne by death. This hole in my heart is in the shape of you and no-one else can fit it. Why would I want them to?
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