A Quote by Cornelia Parker
There's only a certain amount of works you can make, so you have to make only the ones you really want to make. It's all about trying to be as productive as possible.
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It would be nice to make a movie that other people want to make, because every one of these movies, I basically have to find the only company in the world that's willing to make it, and it's always a big challenge. I end up spending a tremendous amount of energy and time trying to get money to make these movies and it's exhausting.
The true end of education is not only to make the young learned, but to make them love learning; not only to make them industrious, but to make them love industry; not only to make them virtuous, but to make them love virtue; not only to make them just, but to make them hunger and thirst after justice.
When I can make music and don't have to think about anyone else's ideas or voice - when I'm making something that only I can make - it feels good. It's nice when you can find a sound that only you can make. No one else can make 'Cosmogramma.' No one else can make 'Until the Quiet Comes.'
Make certain decisions only once . . . We can make a single decision about certain things that we will incorporate in our lives and then make them ours - without having to brood and re-decide a hundred times what it is we will do and what we will not do.
When it comes to money, you can't win. If you focus on making it, you're materialistic. If you try to but don't make any, you're a loser. If you make a lot and keep it, you're a miser. If you make it and spend it, you're a spendthrift. If you don't care about making it, you're unambitious. If you make a lot and still have it when you die, you're a fool-for trying to take it with you. The only way to really win with money is to hold it loosely-and be generous with it to accomplish things of value.
I pretty much only write by default, because I want to make certain projects so instead of trying to wait and find them, I create them, but I'm not really a writer.
If my pictures are about anything at all, I think it's about trying to make a connection in the world. I see them as more optimistic in a certain way. Even though it's very clear there's a level of sadness and disconnection, I think that they're really about trying to make a connection and almost the impossibility of doing so.
If I can make an economic deal with Amazon that works for them and works for me, OK - I'll make it available. But I don't want to be part of restrictions that make life difficult for my guests.
We make progress only when people are willing to speak about what their lives are like and what they care about. We make it possible for others to understand our perspective.
What I'm trying to do is make music that people relate to, that talks about ideas that are personal but also make that connection to trying to make revolutionary change, and I don't need to change my music to get to a certain audience.
Even when you're acting with a producing hat, when you're in every scene, you're really conscious of trying to make everybody as good as they are, because ultimately you're trying to make the best movie possible.
We all only have a certain amount of money and that means yes, we have to make choices and sometimes those choices mean we don't get what we want.
And if I'm running away from something, I try to make myself face it and overcome that initial fear. As a director, I don't think it's possible to make a movie that you really don't want to make.
Only think about the people you enjoy. Only read the books you enjoy, that make you happy to be human. Only go to the events that actually make you laugh or fall in love. Only deal with the people who love you back, who are winners and want you to win too.
All the quirks you've spent years trying to hide, they are actually your superpowers; they're what set you apart. They don't make you better. They don't make you worse. They make you you, and only you can be that.
A long and productive career in the world of films is bound to be checkered with success and failures. You cannot have one without the other; the only way not to make a flop is not to make a film.
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