A Quote by Cornelia Parker
You make an open-ended proposition and the audience completes it somehow. That’s what you hope an artwork to be-a constantly living thing.
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That's like the really fun, exciting thing about wrestling. There's no such thing as perfecting this art. You're constantly growing and you're constantly progressing and changing up you're style and gauging an audience to make sure that audience is enjoying what you're doing.
I hope that one day I will gain power somehow, and somehow convince myself that there is still hope and go back and fight, people who's trying to make that place worth living for both Jews and Palestinians.
In a sense, the artwork is the most important thing in getting somebody to buy a book. The person probably won't buy a book if he doesn't like the artwork. Once you buy it for the artwork, you hope that the story will also be good.
If Anthem finds an audience in New York City, my hope would be to see the play transferred to a commercial theatre for an open-ended run.
Whenever I work on an album and the time comes to do all the artwork, the only thing I think of is the LP artwork. When we worked on the 'Electric Trim' artwork, we spent weeks and weeks making the LP artwork great, and then the CD artwork came together in a day or two. The LP is what's important to me.
The only thing that guarantees an open-ended collaboration among human beings, the only thing that guarantees that this project is truly open-ended, is a willingness to have our beliefs and behaviors modified by the power of conversation.
When an audience is laughing, that's opening their souls somehow, and when you have an audience with an open soul, it's much better to hit them with a knife.
Well you can see that I'm still in motion. It happens that you share the music with the audience. That is the best happiness an artist can have. I'm not alone on stage but with a group of musicians. So the more the music is successful, the more the audience feel happy about the music. It's the responsiblity of an artist to make his fans happy. That is proposition. I'm always talking about proposition.
I would like to think I've reflected the audience's lives somehow, though it's in this big, false, glamorous arena of movies. I hope people see themselves somehow up on the screen.
I was really into artwork in high school and my art teacher made it clear to me that it's not really a career. She insisted that if I wanted to make a living this way, I would have to find a career that might actually reward me for the artwork.
I make a great part of my living by traveling and speaking. To me, it's like being a politician, you meet your audience, you constantly see the people and they're getting younger for me which is really, really encouraging. I get older and my audience gets younger. It couldn't be better.
The great thing about being an actor in a film is that you're able to start knowing exactly where you're going to finish and really paint something in between. You can work to know the arc you need to build. Whereas in television, it is open-ended, and you're constantly guessing. There are pros and cons to both.
I hate when a movie just sort of ends and is so open-ended you feel like it wasn't finished. I appreciate leaving things up to the interpretation of the audience and letting them make decisions about where things will go in the future - but the director has to make a decision; otherwise it is sort of a cop-out.
We are in what we hope is an intensive diplomatic phase now. It will not be open-ended.
I treat politics kind of like my religion. It's something I believe in, but I don't want to have to make a living at it, because if you make a living at it, you somehow become dishonest.
I treat politics kind of like my religion. It’s something I believe in, but I don’t want to have to make a living at it, because if you make a living at it, you somehow become dishonest.
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