A Quote by Cornelia Parker
I had two great art teachers at school, but even they tried to tell me it was too hard a world. But that made being an artist even more attractive.
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I had always drawn, every day as long as I had held a pencil, and just assumed everyone else had too…Art had saved me and helped me fit in…Art was always my saving grace…Comedy didn’t come until much later for me. I’ve always tried to combine the two things, art and comedy, and couldn’t make a choice between the two. It was always my ambition to make comedy with an art-school slant, and art that could be funny instead of po-faced.
I know how you guys feel about us. I'm not stupid, and believe me, I've tried to get you out of my head. But there isn't enough liquor or art or any other distraction in the world to do it. I had to stop going to Wolfe's because it was too hard being that close to you, even if it was all just pretend fighting. I couldn't stand the touching. It was agonizing because it meant something to me?and I knew it meant nothing to you. I kept telling myself to stay away altogether, and then I'd find excuses… like the car… anything to be around you again.
When I was at art school, a lot of art education is about art being a means of self-expression, and as an 18-year-old I didn't know if I had a huge amount I wanted to express. It was a big moment when I decided I wanted to shift the emphasis or the intention of my art from something I disgorged myself upon and something that actually fed me or made me see the world or understand the world.
If being an anti-art artist is difficult, being an anti-art art historian is a hard position indeed. His doctrinal revolutionism brings forth nothing new in art but reenacts upheavals on the symbolic plane of language. It provides the consoling belief that overthrows are occurring as in the past, that barriers to creation are being surmounted, and that art is pursuing a radical purpose, even if it is only the purpose of doing away with itself.
Teachers have had a great effect on me as a child. I've always loved school and had a great appetite for learning. I cried when it was time to go back home and tried to jump from my mother's moving car to run back there.
But I have to tell you, I get it all day, every day, I'm not sexy enough, or I'm not cool enough, or if I did this I would be accepted. Let me tell you one thing: the sexiest thing is class. I promise you that each and every one of you is made to be who you are. That is what's so attractive and beautiful. Please don't forget that, even when it gets hard.
I ended up dropping out of high school. I'm a high school dropout, which I'm not proud to say, ... I had some teachers that I still think of fondly and were amazing to me. But I had other teachers who said, 'You know what? This dream of yours is a hobby. When are you going to give it up?' I had teachers who I could tell didn't want to be there. And I just couldn't get inspired by someone who didn't want to be there
There's obviously always danger in making music or art for art's sake. Even as Christians we can be guilty of that, being more about the art than the Artist who gave us this gift.
I'm not a big technology guy. I like my privacy and being as normal as I can. I'm not an internet guy. I just don't care for it. I made a Facebook in high school and I couldn't even tell you the password to it. I couldn't even guess the password or email. I haven't been on it in four or five years. I don't like being attached to my phone. That's how I am. I'm an old-school guy.
I feel that if I had not had an art program in my school, I would have failed in a big way. My teachers knew I was intelligent, but they didn't quite know how I was ever going to apply that intelligence. The one or two teachers who knew me well knew that it would be through drawing or acting or whatever means of expression I was allowed.
When I was little, my parents really only wanted me to be a scientist or a doctor; they had never even heard of law school. I think even these days if you were to tell your mother you want to be a fashion designer, or an artist or a writer, a lot of Asian parents would be alarmed because they don't think that's a secure career.
Marvel actually sent me to a school in the Bronx where I had a fake name, and I put on an accent, and I went for, like, three days. I basically had to go to this science school and blend in with all the kids, and some of the teachers didn't even know.
I had a Spanish teacher in high school. I rarely got in trouble in her room because I felt I was disappointing her if I got a bad grade. That had more power over me than teachers who told me I talked too much. That level of respect I had for her made me not want to fail for her.
I was always big on laughs, giving and receiving. It wasn't necessarily good for my teachers. Of course there's times where you go too far. My mom had to tell me, "Boy, if I have to come down to this school one more time, you're gonna get it."
The need to be a great artist makes it hard to be an artist. The need to produce a great work of art makes it hard to produce any art at all. . . Fear is what blocks an artist. The fear of not being good enough. The fear of not finishing. The fear of failure and of success. The fear of beginning at all.
I was 16. I went, auditioned, and then they called me and they were like 'can you fly to Korea within two months?' And then my whole life changed. In Australia, I dropped out of school. I had never even imagined myself living apart from my family. I hadn't even slept more than two weeks out of home.
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