A Quote by Cornelius Cardew
The score must govern the music. It must have authority, and not merely be an arbitrary jumping-off point for improvisation.
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Most of my music is improvisation, and composition is improvisation. Even if I have a score, it is improvisation.
I must follow my Lord. No matter what. I must renew my allegiance every morning. It is His voice I must listen to, not the voices of those around me, however strident, however persuasive. It is His Word that must govern my life, not the words of others. God Himself has written a Book (think of it!) that must be the authority in my life.
The starting point and the ending point are nothing but two arbitrary choices. You make them as in soccer games, where they chose that it's 90 minutes, not less and not more. But the choices are the responsibility of the filmmaker. You have to choose to join the story at an arbitrary point, and you leave it at an arbitrary point.
We must abandon the notion that the people govern. Instead, we must adopt the theory that, by their occasional mobilisations as a majority, people support or oppose the individuals who actually govern.
The following are the universally fundamental laws of literary communication: 1. one must have something to communicate; 2. one must have someone to whom to communicate it; 3. one must really communicate it, not merely express it for oneself alone. Otherwise it would be more to the point to remain silent.
If I want to understand something, I must observe, I must not criticize, I must not condemn, I must not pursue it as pleasure or avoid it as non-pleasure. There must merely be the silent observation of a fact.
All the same, the fundamental truths which govern that art are still unchangeable; just as the principles of mechanics must always govern architecture, whether the building be made of wood, stone, iron or concrete; just as the principles of harmony govern music of whatever kind. It is still necessary, then, to establish the principles of war.
What the public does is not to express its opinions but to align itself for or against a proposal. If that theory is accepted, we must abandon the notion that democratic government can be the direct expression of the will of the people. We must abandon the notion that the people govern. Instead, we must adopt the theory that, by their occasional mobilizations as a majority, people support or oppose the individuals who actually govern. We must say that the popular will does not direct continuously but that it intervenes occasionally.
A Coach must never forget that he is a leader and not merely a person with authority.
There comes a time when deceit and defiance must be seen for what they are. At that point, a gathering danger must be directly confronted. At that point, we must show that beyond our resolutions is actual resolve.
What good does it do me, after all, if an ever-watchful authority keeps an eye out to ensure that my pleasures will be tranquil and races ahead of me to ward off all danger, sparing me the need even to think about such things, if that authority, even as it removes the smallest thorns from my path, is also absolute master of my liberty and my life; if it monopolizes vitality and existence to such a degree that when it languishes, everything around it must also languish; when it sleeps, everything must also sleep; and when it dies, everything must also perish?
Musicians must make music, artists must paint, poets must write if they are to be ultimately at peace with themselves. What human beings can be, they must be. They must be true to their own nature. This need we may call self-actualization.
Man must live, not only exist; he must do, not merely be; he must grow, not just vegetate.
Improvisation is the art of becoming sound. It is the only art in which a human being can and must become the music he or she is making. Improvisation is the only musical art which predicated entirely on human trust and love.
The judge's authority depends upon the assumption that he speaks with the mouth of others. That is to say, the momentum of his utterances must be greater than any which his personal reputation and character can command, if it is to do the work assigned to it - if it is to stand against the passionate resentments arising out of the interests he must frustrate - for while a judge must discover some composition with the dominant trends of his times, he must preserve his authority by cloaking himself in the majesty of an overshadowing past.
Well-struck baseballs must land safely in the gloves of fielders; borderline calls must go the way of the artist on the mound. Pitch selection must be on point. Defensive genius must occur. And everyone must adhere to the time tested baseball tradition of superstition.
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