A Quote by Cornell Capa

The Concerned Photographer produces images in which genuine human feeling predominates over commercial cynicism or disinterested formalism. — © Cornell Capa
The Concerned Photographer produces images in which genuine human feeling predominates over commercial cynicism or disinterested formalism.
The images which the [press] photographer has filtered from reality, whether particular events or the anguish of human reactions to them, already bear a stamp of authenticity which the photographer is powerless to alter by one jot or tittle; the meaning of the objects, by a process of purification, itself becomes the theme of the work.
The materialistic pattern of life is that where money predominates over everything. The non-materialistic life is that where money is just a means - happiness predominates, joy predominates; your own individuality predominates. You know who you are and where you are going, and you are not distracted. Then suddenly you will see your life has a meditative quality to it.
I think that citizens should be skeptical of government power. But I fear it's bled over to cynicism. It is something that is getting in the way of reasoned discussion, and I'm very concerned about how to change that trend of cynicism.
In a militia, the character of the laborer, artificer, or tradesman, predominates over that of the soldier: in a standing army, that of the soldier predominates over every other character.
If there is a single factor which separates the best photographers from the wannabes it is the quantity of images which they produce. They seem to be forever shooting. I have watched many of them as they take picture after picture even when they are not photographing. [...] Often these intimate images do not look as though they were taken by the same photographer. And that is their fascination and charm.
The pleasure of eloquence is in greatest part owing often to the stimulus of the occasion which produces it- - to the magic of sympathy, which exalts the feeling of each by radiating on him the feeling of all.
A photographer is like a cod, which produces a million eggs in order that one may reach maturity.
In some areas, [Getty Images has] more images than the rest of the market put together. But libraries are being built up at a terrific pace. A photographer in a lifetime will produce maybe a million images, and there are about 15,000 professionals at work out there.
Being a digital photographer I'm in awe of the older generation of photographers who created all those iconic cinematic style images on film, such as Man Ray's portrait of the photographer Lee Miller.
A photographer who wants to see, a photographer who wants to make fine images, must recognize the value in the familiar.
The creative life of the commercial photographer is like the life of a butterfly. Very seldom do we see a photographer who is really productive for more than eight or ten years.
If you take 'Agni Natchathiram,' it is about two half-brothers and their emotions and those are genuine, which can be made into a very hard-hitting film just that it can be presented in an entertaining fashion. Similarly with 'OK Kanmani,' it is a genuine film; it is not a flippant film just for commercial purposes.
In each of us two powers preside, one male, one female: and in the man's brain, the man predominates over the woman, and in the woman's brain, the woman predominates over the man...If one is a man, still the woman part of the brain must have effect; and a woman also must have intercourse with the man in her. Coleridge perhaps meant this when he said that a great mind is androgynous. It is when this fusion takes place that the mind is fully fertilized and uses all its faculties.
I am a photographer who likes to make images, but I also want to get a sense and understanding of images that have already been made. I don't fabricate worlds; I pay attention to the things that already surround us.
The personality and style of a photographer usually limits the type of subject with which he deals best. For example Cartier-Bresson is very interested in people and in travel; these things plus his precise feeling for geometrical relationships determine the type of pictures he takes best. What is of value is that a particular photographer sees the subject differently. A good picture must be a completely individual expression which intrigues the viewer and forces him to think.
As the ongoing industrial crusade to turn all earthly life to commercial purpose relentlessly impoverishes the biosphere and human culture, our living images of graceful possibility dwindle.
This site uses cookies to ensure you get the best experience. More info...
Got it!