A Quote by Cory Barlog
If something evokes a strong emotional reaction in me, I need to push myself in that direction.
Related Quotes
As a viewer, my own work elicits strong emotional reaction from me.
There's something about a roller coaster that triggers strong feelings, maybe because most of us associate them with childhood. They're inherently cinematic; the very shape of a coaster, all hills and valleys and sickening helices, evokes a human emotional response.
Every year, something happens, and it turns me in a direction about where I need to go and what I need to do to give these guys direction.
As you follow the escapades or the journey of the hero through a story, it evokes some kind of emotion in the viewers. The director's job is to make sure that the audience goes through the journey and has an emotional reaction.
Television has the power to push for change. We need to push it in that direction.
I don't need others to push me. I push myself.
I'm very objective driven, so for me it's very important to know who I'm fighting, when I'm fighting, and roughly the direction I'm working in. It gives me that little extra push to do what I need to do to get the sessions, to work towards something.
A lot of people are just really confused by me; they don’t know what to think of me, so they try to compartmentalize me or diminish me. Maybe they just feel unsafe. But any time you have an overtly emotional or irrational, negative reaction to something, you’re fearing something that it’s bringing up in you.
Before I started touring, I worked with someone to help me, even physically, because I was so shy. And you can't be shy going onstage. So I had to push myself in a direction that wasn't myself.
Homes-the very idea of homeownership-evoke a strong emotional reaction in all of us.
Intellectual culture seems to separate high art from low art. Low art is horror or pornography or anything that has a physical component to it and engages the reader on a visceral level and evokes a strong sympathetic reaction. High art is people driving in Volvos and talking a lot. I just don't want to keep those things separate. I think you can use visceral physical experiences to illustrate larger ideas, whether they're emotional or spiritual. I'm trying to not exclude high and low art or separate them.
With a nonviolent movement we are still inviting a strong reaction from the government or ruling authorities. We are inviting a powerful reaction against ourselves. But it undermines the moral legitimacy of our current government. That is the path we need to pursue. Rather than reinforcing their legitimacy we need to undermine their legitimacy.
Then there was sex, which, for me, was such a need. When I was younger, I had a need to have sex with everyone. I don't know where that was coming from, but there was such a need to connect physically - obviously, for me to connect physically to myself. There were times, like I say in the book, where you lay on top of me, when you push me down, when you're inside me.
If you have total freedom to design, you won't get anything interesting. So I give myself restraints in order to kind of push myself through, to create something new. It's the torture that I give myself, the pain and the struggle that I go through. So it's self-given, but that's the only way, I think, to make a strong, good new creation.
I need to learn how to stop destroying myself, stop being hard on myself and be nice to myself. I need to keep telling myself that I need to keep wanting something, something nice, something warm[so] I can make other people happy. I can understand other people's pain because I can love even after all that is left of me is gone because I have that strength.
When I first heard that I had won the prize, I thought that it was something for myself, that it was something personal, recognition of my writings. But there is such a strong reaction from Chinese people in particular. It's been very passionate, overwhelming and passionate, Chinese people from all over the world.
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