A Quote by Cory Booker

I reject the idea that the guy who comes out of Yale and goes to work in the projects in Newark is good, and the guy who goes to work for a white-shoe law firm is bad. We're all mountain rangers. We all have peaks and valleys.
'Precious' is strangely uplifting. It goes down into the valley but it also goes to the mountain tops. A lot of difficult realities are explored in 'Precious,' but the peaks make the valleys and the valleys make the peaks.
I think, very often, we're addicted to procedurals, those good guy/bad guy shows, and the 'problem' with procedurals is they all follow the same formula: The bad guy does his thing, the good guy goes after him, and in most cases, the good guy figures out who did it and catches him.
Usually action films have a formula: good guy gets in trouble, his wife dies, friends have problems, so he goes to the mountain, learns martial arts, comes back, and kills the bad guy.
John Kerry's victory over Howard Dean has completely changed the presidential race around. Now instead of the rich white guy from Yale who lives in the White house facing off against the rich white guy from Yale who lives in Vermont, he may have to face the rich white guy from Yale who lives in Massachusetts. It's a whole different game.
One of the last things that my dad and I discussed, and it sticks with me today, is that he no longer believed in the concept of Good Guy/Bad Guy. He believed in the idea that one guy is trying to beat the other. However, he would say, 'You can be a Good Guy/Bad Guy, or you can just be a star.'
When you're playing a good character, you have an idea that you're playing the hero and the good guy. Actually, I think you're more stymied playing the good guy than you are the bad guy. As the bad guy, you have no inhibitions. Nothing stops you from doing what it is you feel you have to do. You do it because it's what's required.
Everyone likes to be the heel. Everyone wants to be the bad guy. I mean, I love being the bad guy, but the crowd doesn't want me to be a bad guy. In real life, I'm too much of a good guy to be a bad guy.
What they frequently want to do with a movie is, they want to cut out the valleys and just show the peaks. And valleys are important; the valleys make the peaks stand out.
I think the self is complicated, that at various times we are all various people, and wrestling actually does a lot with that. You have things like heel turns where a person goes from being a good guy to a bad guy.
The problem was, you couldn't have one without the other. There couldn't be a bad guy unless there was a good guy to create the standard. And there couldn't be a good guy until a bad guy showed just how far off the path he might stray.
I like working as a bad guy, and I don't plan on changing the way that I work if they want me to be a good guy.
When you work in the White House you talk to the White House staff all day, so you're talking to the guy who handles the congressional liaison and the guy who's handling domestic politics and the guy who's handling the American economy and so forth.
My father used to always say to me that, you know, if a guy goes out to steal a loaf of bread to feed his family, they'll give him 10 years, but a guy can do white-collar crime and steal the money of thousands and he'll get probation and a slap on the wrist.
Most big popcorn movies are 'bad guy does something to good guy, good guy gets revenge on bad guy, sets the world right, and moves on.' And 'Ender's Game' is just not that simple, so it's an exciting challenge. It's a little terrifying, and let's see how audiences respond.
Books ain't no good. A guy needs somebody - to be near him. A guy goes nuts if he ain't got nobody.
When husbands and wives not only co-work but try to co-homemake, as post-feminist and well-intentioned as it is, out goes the clear delineation of spheres, out goes the calm of unquestioned authority, and of course, out goes the gratitude.
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