A Quote by Cory Booker

People are always trying to draw simplistic dialectics that can capture things. — © Cory Booker
People are always trying to draw simplistic dialectics that can capture things.
I'm a self trained, autodidactic artist, so all I was ever trying to do was to draw as realistically as possible - but that's what comes out, because I don't really know how to draw! I think when I draw characters, I'm able to reduce them down to little marks that capture the most distinct elements of them.
We are trying to capture the widest possible audience all around the world. In other words, we are trying to capture the people who are even beyond the gaming population.
The things that keep me awake at night are things like textures and instrumentation and plotting out what things are going to do and what the sounds are that I'm trying to capture.
[Making movies] you're not trying to capture reality, you're trying to capture a photograph of reality.
You're always going to write and draw inspiration from things that you're feeling, things that you've felt. It's kind of impossible not to unless you're writing a song and there's an exact scenario that you're trying to write a song for.
When I was a kid, I suppose I got more praise for being able to draw things and paint things than I did for my little amateur poems I was writing. But the thing that I'm trying to do with my painting is that I'm trying to keep it in the realm of pleasure. I don't show my work, I don't try to sell it.
I like to try to capture places that a lot of people went to or have a deep emotional connection to. Malls, abandoned speedways, abandoned theme parks. To me, those are most interesting kinds of things to capture.
Poetry, in the entire course of its development, has always been trying to capture meanings and problems which are still obscure and dormant. Poetry tries to awaken them with a kiss, wherever they may be: in the air, in things, in human beings.
I'm wrestling almost every single day of the week. I'm fighting for so much more. I'm trying to capture a life here, a future. I'm trying to put my kid in college. There are so many things I'm doing. I'm representing the biggest wrestling family on earth.
I am oblique; I think that has to do with my own nature. I like trying to do things which work on many levels, because I think it is terribly important to give an audience a lot of things they might not get as well as those they will, so that finally the film does take on a texture and is not just simplistic communication.
Unfortunately, simplistic framing of problems leads to simplistic answers.
To draw something is to try to capture it forever.
I was trying to capture this man's [Idi Amin] energy, and I did a lot of research in studying him. I tried to capture his 'Warrior King' energy inside of me as much as possible.
Trying to capture the essence of India is almost like trying to bottle magic, which is hard to do because India is so broad and diverse - it's controlled chaos. But there's spirituality and wholeness to the people.
I'm very into familiar things, popular things. I'm into things that no one seems to know about or be into. I'm trying to draw a line between those two things and make it clear... that it all makes sense to me. That it's not disparate. That it's all one thing inside me.
Trying to understand, inside, what it is to be Ugandan was crucial to the character, because there are Ugandan ways of doing things that I was trying to capture. Even if I had made this movie in South Africa, it would not have been the same, because it is so specific to Uganda.
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