A Quote by Cory Doctorow
I think that this misses out on some of the interesting narrative realities, which is that it actually doesn't work very well, that eliminating diversity is actually a really good way to make a species and its individuals less robust.
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Because for me to go fully experimental, it would turn into an artist book actually. And I'm not opposed to that. But I wanted to toy with the conventions of traditional narrative and sometimes to do that all the way, you have to actually utilize traditional narrative, I think - or it's one way to do it.
The work I did on 'Killing Kennedy' was very meticulous and, in some ways, actually tedious. It was hard work because there is so much known about John F. Kennedy and Lee Harvey Oswald. To try to distill that into a clear narrative that's interesting and tells two great stories was a real challenge.
My dream right now is - and I don't know how to do it, and I don't know if it will work exactly - but just this sort of vague aspiration to start some kind of website where people send in their stories or poems, and me or perhaps some other people turn that into music. And then by the end of the year we make a record and actually put it out. Like a band, but the band is actually a combination of the musician and the fan. I think that's a very 21st-century way of doing it.
I actually prefer to work in as many different genres as possible as often as possible because I actually think the best way to be inspired and avoid any writers block or things like that is actually to be able to go from a comedy to an action to a horror to a adventure, that actually makes it easy for me to start over and get new ideas, and it keeps things interesting.
All of us gardeners know that nothing comes out the way you planned. It's a different garden every year, and it's always sort of different from what you were thinking when you began. What it really means to be a good gardener is to work hard to produce an ecosystem that will have enough diversity, enough possibilities, so it's robust, and it's resilient, and it can change when the seasons change. And that kind of robust, unexpected, variable, messy system - that's what you want to create when you're having children, too.
I was out in California over the holidays and I was working with some photographs I took out there just now, actually, which were all different photographs of the sunset. They're really interesting because El Niño has changed the cloud configuration, not only the sea, but also the whole makeup of the clouds, the sunset, and the different gradations of color and tonality. So it'll be interesting to work with that.
Touring, it's really difficult to actually make a band work, and I think that's why there's so few bands that do work, actually, 'cause there's so much that goes into it.
My dream guests are really not so much celebrities. They're people who are actually interesting and they're doing something interesting with their lives or had an interesting experience in some way. I really enjoy talking to regular, everyday people.
Any narrative, whether it's fiction or not, you have to approach it as though it really happened to you. I think that's the only way to get inside the characters and make the narrative work. It's a storytelling tradition, and I think to come off as genuine then you have to really approach it that way.
I think that gulf is what makes the work interesting, but as a creator it's endlessly frustrating because I'm starting out with this goal, this thing I'm trying to create, and then the thing I actually do create is very, very different. It's always painful, in some ways, especially when it's just finished.
There are about 250,000 different species of fossil plants and animals known . . In spite of this large quantity of information, it is but a tiny fraction of the diversity that [according to the theory] actually lived in the past. There are well over a million species living today and . . [it is] possible to predict how many species ought to be in our fossil record. That number is at least 100 times the number we have found.
Needless to say, the fact that he actually spoke to me at all practically caused me to pass out. And then the fact that he was actually saying something that sounded like it might be a prelude to asking me out - well, I nearly threw up. I mean it. I felt really sick, but in a good way.
Some things I found out in the National Convention I wasn't too glad I did find out. But we will work hard, and it was important to actually really bring this out to the open, the things I will say some people knew about and some people didn't; this stuff that has been kept under the cover for so many years. Actually, the world and America is upset and the only way to bring about a change is to upset it more.
I can't remember ever being really bored. I find life very interesting, actually. I think some other musicians are always looking for something to give them an idea, but I find I have to reject 90 percent of my ideas because they don't live up to some self-imposed standard. That's also why I don't make a record once a year. I throw so many things out, and I have to have something to say.
I think when I'm in love, I really am very good with calling, little faxes, and visiting and I really put a lot of effort into it. I'm really not the one that's not available because of work and I'm very sad when I actually leave.
I had a really good time working with Jim Cameron. A lot of people didn't, but I did as I got on with him really quite well. For a director who spends most of his time looking down a lens or in the digitisation studio or working out some graphics, he is actually very good with actors.
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