A Quote by Cory Gardner

I don't get everything right the first time. — © Cory Gardner
I don't get everything right the first time.
Many first-time novelists end up rewriting their first two or three chapters, trying to get them 'just right.' But the point of the first draft is not to get it right; it's to get it written - so that you'll have something to work with.
I've learned to listen. I don't get everything right the first time.
When you're a teenager, everything is amplified because everything is a first. The first time you feel othered, the first time you feel rejected, the first time you fall in love... it's the first time, so it's so vivid, and everything feels like the whole world almost, because it is your whole world; your world is small when you're a teenager.
I belong to you. He has no idea what he's up against. And that will get him in the end. I believe that. Everything's going to come right for you." "And you," Kami said again. "If everything's right for you," Jared said at last, "everything's right for me.
You get to use everything you learned in movie business. You talk to actors, if you do it right - and I haven't always done it right - you should be shaping the material all the time. And the other thing is, you get all the blame when you direct and it doesn't work. You get slammed. So that's another reason to know what you're making, why you're making it, and make it the way you want.
I have a rule now that I can only watch a movie twice. By the third time I was watching 'The Guest,' I was hating everything about it, but the first time, I loved it. The first time you watch it, you watch it as a whole. And the second time, I think you can learn a lot. By the third time, you are just picking everything apart.
You don't have to get it perfect, you just have to get it going. Babies don't walk the first time they try, but eventually they get it right
Everything here must be done twice as no one can do it right the first time.
People call you "director," but it really should be "economic manager." Because everything is "Well, we can do another take here, but then you're gonna lose that shot over there." Or "The sun's going down, sorry, you're outta luck. We can't afford to." You know? And meanwhile, how do you get the performer's performance? I'm thinking the whole time all about "How can I get my day done?" And my performances are primarily a result of casting the right people at the right time in the right parts. And then I do little modifications.
I have put absolutely everything into my album. I feel like it's been such a long journey to get here. It is like giving birth to my first child, and I want to make sure I did everything right.
You're young. Maybe there'll be time for a do-over if you don't get it right the first time. But there are no guarantees. There will come a time as it has for me when there's no time for a do-over.
Watercolor is like life. Better get it right the first time--you don't get a second chance!
Sometimes, you get things right the first time. Others, the second. But the third time, they say, is the charm.
You don't have to get it right the first time.
It's hard to get the right elements together, get the right cast, get them at the time you need them, get the script completely there, and get the right budget.
Broadway, I have to memorize everything. You get one time to do it right.
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