A Quote by Cory Lidle

Since the trade, I was just thinking about this day and mentally preparing to not get too excited. I knew I was going to have some extra adrenalin out there so I was really doing what I needed to do just to stay calm, you know, just try not to do too much.
I really don't (stay calm) all the time. I just try to. Part of not just racing but in life, I try not to let the highs be too high and the lows be too low. I try to stay somewhere right in the middle. In racing it's not always easy to do. You can get too excited or overconfident when things are going good and it's easy to get too far in the ditch when things are going bad.
I used to be very superstitious, and then I got too much into that. I just try to stay away from all the superstitions that I can and try to get as calm as I can before the game. That's my new superstition: just to get as calm as I can.
I don't get up and look at e-mail. I don't even know my e-mail address. I needed one just to have a computer put on. But I never, ever even thought of going to it. It's just not what I'm about. I just don't want to waste my life with it. It's just too much; I think people are just a little too absorbed in all of that.
I don't really think about the personnel too much, I don't have a desired matchup, I just like going out and playing football. I treat everybody the same when I get out there. It doesn't matter if it's Deion Sanders or if it's an undrafted rookie, I'm going to try to go out there and give them work all day.
Just trying to keep going. Just try to stay in the present the best I can. Not get too big-headed or too down on myself.
I don't normally get too excited. I just - yeah, I just try and keep it pretty simple, and that's just my personality, really.
When I ruptured my spleen, I was about to win the overall Series for the World Tour, and I was at the last event in Vermont for the U.S. Open and was having a great day. Then I just got a little too excited and just face-planted, and I knew something was wrong. I really couldn't breathe, and my whole body was in so much pain.
I know from my own experience that you've got to be ready on day one. There is just too much unpredictable threat and danger in the world today to try to just say wait, I'll get to that when I can. That is just not an acceptable approach.
From beginning to end it's about keeping the energy and the intensity of the story and not doing too much and not doing too little, but just enough so people stay interested and stay involved in the characters.
Sometimes you know about a job four months in advance. Sometimes you know about a job four days in advance. It's all different, and my thing is just to try to stay prepared. It's like being a boxer. You never know when you're going to get your next fight, so you have to just stay in shape, mentally and physically and creatively.
Yeah, if you go too far, like there's some rappers that use words that just be a little too out there, it makes it where someone doesn't really know what you're talking about and don't really have the time to sit and try to understand.
I knew we would eventually get back together, but I don't think any of us really knew when it was going to happen. It had to be a situation where all four of us felt like it was time. It's just too personal and too big, with too much history, to do any other way.
Back in the day I wanted to be a James Bond girl and I got really close to it too, but I didn't. But now it's just really about enjoying who I work with, the kind of atmosphere that I'm working in, and the character. That's why I think nowadays I tend to really try to be somewhat picky any more to what I do, not just going out to get a job. And sometimes you have to do that, you have to work just to work. But I'm very fortunate to say that I'm actually working at a job that I absolutely love and enjoy and everybody there I enjoy so much and I feel very blessed.
You can't think about what you're going to do. It just gets in the way. You have to be just available for life, otherwise you're not bringing anything to the party. So I don't lie awake thinking about what I'm going to do workwise. There's just too much going on.
Too many actors try to get too much out of scenes that they ought to be leaving alone, just doing them quickly and getting the hell out.
I've read a lot of fiction from writers just starting out, and the dialogue is a little bit forced, or it's almost too teenager-y, or too slang-y or putting too much technology or trends in there. I try to stay pretty trend-neutral. I try not to mention too many current bands or current TV shows.
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