A Quote by Cosimo Matassa

I don't like tracking and over dubbing and all that. I love live recording where everybody is playing. I, I'm convinced it's better. — © Cosimo Matassa
I don't like tracking and over dubbing and all that. I love live recording where everybody is playing. I, I'm convinced it's better.
Through the years I've found that I prefer live playing to recording. I still do lots of recording - but I treasure the live shows.
I love recording and I love everything - videos, everything like that - but playing live is what does it for me.
If you are recording, you are recording. I don't believe there is such a thing as a demo or a temporary vocal. The drama around even sitting in the car and singing into a tape recorder that's as big as your hand - waiting until it's very quiet, doing your thing, and then playing it back and hoping you like it - is the same basic anatomy as when you're in the recording studio, really. Sometimes it's better that way because some of the pressure is off and you can pretend it's throwaway.
I hate re-recording. I like singing, but I don't like recording a song over and over, making it too perfect.
Me and my band, we love playing live, and I think it shows. We have one of the better live shows in the state, and I think it's because we just love playing live.
Cause I enjoy both, I enjoy recording and playing live, but yeah, the rush of playing live is really something.
It's a different feeling; I like touring and playing on the road better, but recording has its good spots.
I like to improvise so much live because I get bored playing the same thing over again. It's like the kid at school that already knows all the answers so doodles all over the paper. I do that a lot live.
Soundgarden signing to a major, then Mother Love Bone, and seeing the same happen to Alice in Chains. We were all suddenly making music and recording at the same time, and we had money to do it. It wasn't like a $2,000 recording that you do over a weekend. It's like, 'Wow, maybe this will be our job.'
I've been on the road for so long that it's a part of my being. Even after all these years, I love playing. I love recording. I love writing. I love rehearsing. I love touring. I love all that stuff.
I've dubbed for my roles in Hindi, English, and Italian. Therefore, I'm used to the process. But, dubbing is hard, especially when you are dubbing for a prominent actor.
I love, love, love live performance. It's like walking a tightrope without the net. You better be on point; you better be balanced. You better have rehearsed it and seen it from every vantage so you can do what you do best. I do love film because it's up front in your face, and hopefully you've got a great editor.
My history is really playing live - not writing or recording.
On our first record, man, I didn't know what I was doing. I was just playing. I was over playing. You're as green as you can be with no experience in recording or knowing how sometimes a song can work: when it's too much, when it's not enough, when it's not right.
Sour Patch, Swedish Fish. I love candy, man. I can't go without candy. And when I'm recording, I always have a TV on with cartoons - on mute, though. When I'm recording, I like to look at the TV now and then and see some crazy, wacky stuff. When you're thinking creative, it just keeps you creative. Everybody got their way of making music.
I love the idea of Pro Tools, but it doesn't seem as attractive to me in terms of the music-making side. It's great for recording, but with Logic you get the best of both worlds, the ability to do great tracking and producing something that sounds great as well.
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