A Quote by Costa-Gavras
The assistants in France are not like they are in the States. Assistants are much more close to the film directors, and they used to have a kind of very artistic task. They used to do the casting, scouting, and so forth.
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Hollywood is a whole other level of crazy. I've never met so many assistants who have assistants. It's a stratified society on its own.
Britain, as a pop music nation, used to have this very 'empire' kind of attitude. We used to 'invade' the world with our bands, you know? That's obviously changed, because in Europe they're much more interested in bands speaking their own language. Especially in France and Germany. They're starting to develop their own bands much more.
One of my assistants found this old German machine. It was originally used to make underwear. Like Chanel, who started with underwear fabric - jerseys - we used the machine that made underwear to make something else.
One of my assistants found this old German machine. It was originally used to make underwear. Like Chanel, who started with underwear fabric - jerseys - we used the machine that made underwear to make something else
With the RED, I didn't have this impression at all. I felt that it was as heavy as a film camera. Having this great crew, with the DP and his assistants, I found it making as much of an impression as a very big film camera. I didn't relate to it as much. I remember avoiding it during the shooting rather than paying attention to it.
I come unprepared to shooting. I don't have lights, I don't have assistants, I just go and meet somebody and take a photograph. That's really basic, and that's how I used to work when I was 17 or 18 in Holland. I was given very little time to photograph people and I was very scared.
The procedure was that an artist got a mural and then he would have anywhere from two to ten assistants depending on the size of the mural and how many assistants he needed, or she needed.
I don't have lights, I don't have assistants, I just go and meet somebody and take a photograph. That's really basic, and that's how I used to work when I was 17 or 18 in Holland.
As the West Coast offense has spread out among the NFL, as all of Bill Walsh's assistants and all of Mike Holmgren's assistants have gone on to be head coaches, it's all the West Coast offense, but it's all a little different, tailored to the personnel or the coordinators or the resources each team has.
In the earlier days, people used to be very emotional about making films. There used to be a great friendship between music directors and directors; today that is missing.
Can you imagine a writer in England influencing? Absolutely not. And in France? It used to be, but no more-absolutely not. France used to, at least, have writers as diplomats, but not any more.
Photoshop is useful in many ways but must NEVER be used for the altering of photographs. My assistants and my agency do whatever Photoshop work for me that may be required as it is too complicated for my brain.
I was lucky because I used to live right next to a video-rental store. I used to spend so much time watching films. So I've seen a lot. I used to watch 'Dynasty' and 'Dallas' and have seen every kind of film. I've been influenced by everything I've seen.
Assistants like Tim Grgurich worked with me and watched film of me from my Oregon State days.
Did you notice what happened when digital photography arrived? Suddenly there were four times as many people on set for a shoot! It used to be a photographer, a couple of photo assistants, stylist and a fashion assistant, hair and make-up and that was about it.
The Italian journalist Oriana Fallaci used to say that for her, an interview was like a war. I get the sense that we've forgotten that here in the United States. You turn on the TV, and you see very bland interviews. Journalists in the United States are very cozy with power, very close to those in power.
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