A Quote by Costa-Gavras
Cinema has changed the world. If you go to the beginning of the cinema, you can see that the world started meeting other worlds. It was extraordinary. We saw how other people were living and thinking. How they were sad or happy. We also saw the body - naked or half-naked people, which was prohibited everywhere by religions. This was extremely important.
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I saw that animals were important. I saw that plants were even more important. I was also to learn that compared to many of the other species, we weren't important at all except for the damage we do. We do not rule the natural world, despite our conspicuous position in it. On the contrary, it is our lifeline, and we do well to try to understand its rules.
I saw all the moral decay you could, beginning at 2 years old. But I also got to see how the other half lived.
What can you do when you don't fit in? What can you do when life seems to be passing you by?" "Follow me. I want to show you something. See the horizon over there? See how big this world is? See how much room there is for everybody? Have you ever seen any other worlds?" "No." "As far as you know, this is the only world there is, right?" "Right." "There are no other worlds for you to live in, right?" "Right." "You were born to live in this world, right?" "Right." "WELL LIVE IN IT THEN! Five cents please.
How could believers, people who regard themselves as true Muslims, get on those planes, quoting the words of God delivered through the Prophet to themselves, knowing they were going to kill innocent people? They saw the other passengers on the plane. They could see the woman with her little daughter. They saw people making phone calls to their wives or their husbands. They knew who they were killing.
As I saw more and more people buying the images that were happy buyers, and people selling the images that were happy with how the market was pricing them, I started to get the sense this could be the go-to place for businesses to get the images they need.
I saw and I met a lot of people who were in the field. It also provided a context in which I came to respect what the actor did, because I saw how difficult it actually was to do.
When people saw how other people were playing Wii Sports, they could immediately understand how different the system was.
I saw a birthday card the other day, and it said, "If you didn't know how old you were, how old would you think you were?" I started changing it in my mind right away to, "If you didn't know how sick you were, how sick would you think you were?"
I haven't got the kind of films from mainstream cinema which I would have wanted. But then mainstream cinema has a different bunch of people who are happy working with each other, which is fine.
She had come to him to escape her mother's world, a world where all bodies were equal. She had come to him to make her body unique, irreplaceble. But he, too had drawn an equal sign between her and the rest of them: he kissed them all alike, stroked them all alike, made no, absolutely no distiction between Tereza's body and the other bodies. He sent her back to the world she tried to escape, sent to march naked with the other naked women
I knew that this was the movie in which a lot of the cinema version of Burton-esque first started. So, I knew that there were things that were hugely important to him for it, but it didn't really feel that different than working on any other of these projects.
I was inspired by Maya Deren because she was the first woman filmmaker whose films I saw. I also loved Fellini and Goddard because they were so different from Hollywood films. But when I saw the cinema verite films that were made by Drew Associates with Leacock and Pennebaker I found my passion.
Even in Haiti, I saw John Wayne movies. American cinema has always been the dominant cinema throughout the world, and people tend to forget that. People aren't just seeing these films in California or Florida. They're seeing them in Haiti, in Congo, in France, in Italy and in Asia. That is the power of Hollywood.
MORE CONSISTENTLY THAN EVER I WAS TRYING TO MAKE PEOPLE BELIEVE THAT CINEMA AS AN INSTRUMENT OF ART HAS ITS OWN POSSIBILITIES WHICH ARE EQUAL TO THOSE OF PROSE. I WANTED TO DEMONSTRATE HOW CINEMA IS ABLE TO OBSERVE LIFE, WITHOUT INTERFERING, CRUDELY OR OBVIOUSLY, WITH ITS CONTINUITY. FOR THAT IS WHERE I SEE THE POETIC ESSENCE OF CINEMA.
I'm naked in Esquire in August. I was naked on the set the other day. I'm always naked. I'm naked right now, in fact.
If somebody's looking at pictures of naked people and you go, 'Oh I don't want to see that,' you're lying. Cause naked people are always interesting. Always. Whether they're beautiful, or naked or 500 pounds.
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