A Quote by Cote de Pablo
Coming from the theater, I love the adrenalin rush from working on 'NCIS.' You get home and you're exhausted, but you feel like you've really worked.
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I know what it is like to fear violence. I understand the adrenalin rush that comes before violent confrontations. I write my scripts from an emotional point of view and direct so the audience can experience this adrenalin rush.
You turn up in the morning, you get through hair and make-up, and then you are on set working until it's time to go home. And I love that. Coming from the theater, you just turn up and you're ready for whatever happens. That energy really appeals to me.
I love working in television and film, but it's completely different. The theater will always be my home. So I would love to be a lady who gets to work in all of the mediums and who calls the theater her home.
I love waking up in my home and being with my children and my husband. And I get an enormous amount of satisfaction out of my work. I really love working. I said it: I love working. It really grounds me, and I like helping people.
I might actually be allergic to testosterone. Whenever I've felt a testosterone rush I get, like, sick afterwards, and I feel exhausted and terrible.
It's hard to get those roles that allow you to show everything and feel like you're really being used and exhausted and spent, which I think is what actors really love: We want to be tired.
I think I'm better wired for television. I love variety as far as a project. I'm easily bored and the schedule of a television show, it just keeps you going. I love theater and I think doing a sitcom in front of a live audience is the closest you can get to theater, and it's really the best mix of like standup and theater, is really a sitcom. I started as a standup and I still continue to do that as well, so I think I'm just a TV guy and happy for it. I think my movie career is kind of like my social life, I'm picky and not in demand. So it perhaps is working out.
If you do something right you get a real sense of achievement and an adrenalin rush.
Acting gives me an adrenalin rush I don't get from anything else.
I've been working in theater, really, since about 1965. I started working with the Mabou Mines about then, and in a way I've always worked in the theater, but it's never been a main part of my work. And it wasn't until Einstein that I kind of shifted into high gear with theater, working with Bob, with Bob Wilson. And since then I find it a very attractive form to work in. It's just an extension of my work.
If I'm in danger then it's usually my fault and it's up to me to get myself out of it. I am not in it just to get an adrenalin rush. No way!
I have to work hard and wear pants. I've worked really hard these last years, and since everything is coming together at the same time, I had to move the play back. I'm kind of in love with my theater agent. I'm a true naïve about the theater, a total innocent. He says to me, have you ever been to a rehearsal room? Do you realize you are opening at the Public in New York? You do understand that the audience will be New York theater people?
I loved the adrenalin rush of the skeleton, and would love to do it as a Paralympic sport if they ever bring it into the Games.
As soon as we fall in love and we realise we've met the one the rest of our lives can't come soon enough. It's not like you're in a rush to get to the finish line, you're in a rush to feel and experience everything and then do it all again.
I'm really proud of 'Coming Home.' I wrote that about Eric, and I just feel like it's very relatable for anyone who has to be away from their loved ones, you know, for long periods of time - our military, people who are working. It's pretty special.
Contrary to what so many think, life for the stars of Hollywood TV or movies is really quite tame. You get up at 4 A.M., arrive at the studio by and shooting starts at 8. Then you keep on working until 7:30 or 8 P.M. or even 11 at night. By the time you get back home, you're too exhausted for anything but sleep.
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