A Quote by Cote de Pablo
It wasn't until I found my tribe of artists - people who were outspoken and not afraid to say what they thought, whether in a song or a dance or a piece of classical music - that I found a refuge.
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What do artists do? Artists give people something they didn't know they were missing: a dance, a piece of music, a painting, a piece of sculpture. Catering to that need is the best business strategy.
You put music in categories because you need to define a sound, but when you don't play it on your so-called radio stations that claim to be R&B or jazz or whatever... All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.
All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.
When I would create a dance, I wouldn't have the luxury that ballet people do when they take a piece of music and impose a dance upon it. What we did in motion pictures was have a song and within that song try to elaborate. My usual method was to do what a writer does: get a plot.
Basically the subcultures formed in the U.K. because the mainstream was not satisfying the needs of certain people like myself. So through music and through style, we found our tribe, we found like-minded rebels.
I know I promised. I said, 'Ask, seek, knock and you will find.' You say, 'But I have found loss. I have found dispossession. I have found letting go.' And I would say to you that until you dispossess what you have you can never possess what I want to give to you. Until you surrender your understanding, you will never get My wisdom. You would say, 'Lord, what is at the end of this process?'
My family were all into classical music, and I found that very intimidating.
Engineering didn't take to me. And what saved me and kept me in college was I ran into ROTC cadets who were in a fraternity called The Pershing Rifles. And I found my place. I found discipline. I found structure. I found people that were like me and I liked.
So writing a song is much harder than doing a classical piece for me, because in a classical piece, I can just let the mood dictate what's going to happen.
There were a lot of heads turning when people found out I was doing music and when they found out it was country, they were like, 'What?
There were a lot of heads turning when people found out I was doing music and when they found out it was country, they were like, 'What?'
Often, I could not find the range of emotions in classical music which I found in the The Rolling Stones and Hendrix. Listening to Bach, I found a deep spirituality and felt elevated above the human level. Yet the feeling and emotions attached to popular music speak to us far more personally, and I couldn't leave that behind.
I wanted to make an album where every song is kind of interacting - where you can't tell what's the string arrangement and what's the song. I guess that came out of going to college, majoring in music, studying classical music, and even as a kid, being really drawn to classical music.
Classical music and pop are two different universes, each with its own difficulties, peculiarities, depth and artistic dignity. In Italy, I think there is a fairly clear line of demarcation, but the history of music is full of fusion. Popular and classical music have always found points of contact, of crossing, exchange, both drawing mutual profit.
There was a time when people were afraid that film music would totally displace classical music.
We always found that many people are robots without knowing it. The interpreters of classical music, Horowitz for example, they are like robots, making a reproduction of the music which is always the same. It's automatic, and they do it as if it were natural, which is not true.
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