A Quote by Countee Cullen

All day long and all night through, One thing only must I do: Quench my pride and cool my blood, Lest I perish in the flood. — © Countee Cullen
All day long and all night through, One thing only must I do: Quench my pride and cool my blood, Lest I perish in the flood.
Ah, drink again This river that is the taker-away of pain, And the giver-back of beauty! In these cool waves What can be lost?-- Only the sorry cost Of the lovely thing, ah, never the thing itself! The level flood that laves The hot brow And the stiff shoulder Is at our temples now. Gone is the fever, But not into the river; Melted the frozen pride, But the tranquil tide Runs never the warmer for this, Never the colder. Immerse the dream. Drench the kiss. Dip the song in the stream.
Once I passed through a populous city imprinting my brain for future use with its shows, architecture, customs, traditions, Yet now of all that city I remember only a woman I Casually met there who detained me for love of me, Day by day and night by night we were together—all else Has long been forgotten by me, I remember I say only that woman who passionately clung To me, Again we wander, we love, we separate again, Again she holds me by the hand, I must not go, I see her close beside me with silent lips sad and tremulous.
For night's swift dragons cut the clouds full fast, And yonder shines Aurora's harbinger; At whose approach ghosts wandring here and there Troop home to church-yards.... For fear lest day should look their shames upon, They willfully exile themselves from light, And must for aye consort with black brow'd night.
And that must end us, that must be our cure: To be no more. Sad cure! For who would lose, Though full of pain, this intellectual being, Those thoughts that wander through eternity, To perish, rather, swallowed up and lost In the wide womb of uncreated night Devoid of sense and motion?
Do not delay in coming to grace, but hasten, lest the robber outstrip you, lest the adulterer pass you by, lest the insatiate be satisfied before you, lest the murderer seize the blessing first, or the publican or the fornicator, or any of these violent ones who take the Kingdom of heaven by force (cf. Mt. 11:12). For it suffers violence willingly, and is tyrannized over through goodness.
It is not in the bright, happy day, but only in the solemn night, that other worlds are to be seen shining in their long, long distances. And it is in sorrow - the night of the soul - that we see farthest, and know ourselves natives of infinity, and sons and daughters of the Most High.
There's no such thing beneath the heavens as conditions favorable to art. Art must crash through or perish.
If a drought strikes them, animals perish--man builds irrigation canals; if a flood strikes them, animals perish--man builds dams; if a carnivorous pack attacks them, animals perish--man writes the Constitution of the United States.
Lest I keep my complacent way I must remember somewhere out there a person died for me today. As long as there must be war, I ask and I must answer was I worth dying for?
Rather perish than hate and fear, and twice rather perish than make oneself hated and feared — this must some day become the highest maxim for every single commonwealth.
Take heed to yourselves, lest you perish while you call upon others to take heed of perishing, and lest you famish yourselves while you prepare their food.
I don't really remember the day we lost our home in the floods, but looking back I can understand how devastating it was for my parents. I was only six, so I remember us having to move to Adelaide - but not much of the actual day and night of the flood. We had to start all over again and my parents opened a cafe.
Night is purer than day; it is better for thinking and loving and dreaming. At night everything is more intense, more true. The echo of words that have been spoken during the day takes on a new and deeper meaning. The tragedy of man is that he doesn't know how to distinguish between day and night. He says things at night that should only be said by day.
I always plan dinner first thing in the morning. That's the only way I can get through the day, having a specific meal to look forward to at night.
We possess art lest we perish of the truth.
Day appears again. This time he leans in close enough for his hair to brush, light as silk, against my cheeks. He pulls me towards for a long kiss. The scene vanishes, replaced abruptly by a stormy night and Day struggling through the rain, blood dripping from his leg and leaving a trail behind him. He collapses onto his knees in front of Razor before the whole scene disappears again.
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