A Quote by Courteney Cox
I would like to do a movie where the moments could be extended and you could have the freedom of that, but I'm not precious, if it moves the story and doesn't take away from it.
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Moments are precious, sometimes they linger and other times they're fleeing, and yet so much could be done in them; you could change a mind, you could save a life and you could even fall in love.
The early American knew that freedom was nothing more than the absence of external restraint on behavior; the government could not give you freedom, it could only take it away.
I think it worked two ways. One, a lot of people writing about the movie used that as shorthand and it could either be a good thing or they could use it to dismiss the movie like we were a copycat movie or something like that. It's very much its own story. It is a young woman in a post-apocalyptic society, but after that it's just a whole different kind of story and a different journey that she goes through.
Now everyone takes it for granted that you can look up movie reviews, track locations, and order stuff online. I wish there was a way we could take it away from people for a day so they could remember what it was like without it.
There are moments when I wish I could roll back the clock and take all the sadness away, but I have a feeling that if I did, the joy would be gone as well. So I take the memories as they come, accepting them all, letting them guide me whenever I can.
We hold in our hands, the most precious gift of all: Freedom. The freedom to express our art. Our love. The freedom to be who we want to be. We are not going to give that freedom away and no one shall take it from us!
The movie that we could've finished in 2001 would've sucked. The movie that we could've finished in 2002 would've just been a disaster, even into 2003, it would've been very cobbled together, amateuristic stuff. But as we went along, we really did stumble upon some accidental themes, and with the things you could do with computers, and all that sort of stuff just sort of really accelerated into where the stuff that we could do right here at my house became - you could almost do anything.
I felt like I could get away with calling it Black Hours. That could easily be the most depressing record ever written, but because there is this sense of fun throughout the whole thing I felt like I could get away with it. Like "5 A.M."; that song's in a minor key and I'm just wailing away and it could have been just wallowing depression, but it's not.
I think when I started acting it was the first time I got the freedom of expression. I was able to express certain emotions and feelings that I could put into other characters, so it was a good way for me to run away from ho I personally was. I could be a ninja, I could be a pirate or I could be in a play y'know.
We, their hearts, become fearful just thinking of loved ones who go away forever, or of moments that could have been good but weren't, or of moments that could have been found but were forever hidden in the sands.
If you throw the baby away, that's garbage. But no, the heart's precious. You could get something, you could save a life. Well, you just threw away a baby but the heart's valuable. That's the horror and the terror and the hypocrisy that nobody can understand. We base communities on the idea of protecting children based on the sacrifice of adults. Adults work and die so that their next generation would grow and prosper.
I saw how you could get away with such a free-spirited, naturalistic sensibility in a mainstream Hollywood movie, and you could apply a lot of the skills of the '70s icons that I really admire to a contemporary, commercial movie.
Someone once asked me "If your life could be extended to 150 and you could start another career, would you?" And I said "No, thanks, I think I'll stick at this."
I always believe that every song tells a story, so the last thing I want to do is edit out like the meat of the story. I would pick songs based off a), whether I felt like I could do anything with them, and b) whether I felt like I could keep the story intact. And then you sit in with one of the piano players and one of the vocal coaches and kind of work out your arrangements that way.
Those who take to guns could do so due to deprivation, suppression, or historical legacy. The Afghans have lived through violence for centuries, by the Mughals, the Russians, their own people, so they have always had to fight for freedom... we cannot take away the context. But they legitimised it by using jihad, a religious sanction, so they could be seen as mujahids, fighting for Allah. And you cannot say there is nothing concrete.
I wish I could take away your pain. I wish I could go back to when you were born and take you somewhere safe. Far away from all the people who’ve hurt you. (Kiara) You’re doing that now. (Nykyrian)
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