A Quote by Courteney Cox
When David Arquette and I got engaged we started therapy together. I'd heard that the first year of marriage is the hardest, so we decided to work through all that stuff early.
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The first time I got into the studio, when I was 17, 18, I got to work with people who were some part of the Cheiron thing, who did all the early Britney Spears stuff, all the early 'NSync stuff.
I looked at the pilgrims coming to America. In their first year, they decided to try a communist experiment. And the first year of the pilgrims, they established this socialistic concept: 'Well, we have all this land before us - let us all work it together.' Oh, how wonderful it sounded. 'Let us all work it together, and we will share in the produce of the land.' They almost starved to death! Almost half of them died, that very first year.
I went through some stuff. And I got very depressed at times. It was like a marriage breaking up suddenly, violently, quickly. And I was just trying to figure out what happened. When we started putting this tour together, I started to feel better almost immediately. And then this there is this, there is almost no better antidote to what I"ve just been through than to do this every night.
Brenda [Carlin] went into therapy and I soon joined her. First we put the drugs behind us, then we began serious work on our relationship. And, in time, we got well together.She just drove through a hotel lobby. Now, that's bottoming out.
The Russians have been flying long duration crews since the early '70's. And in the early days, they've ended at least two missions early because of conflicts within the crew. So, they learned early on the importance of studying this and making sure you put the right crew together. Since we began our work together on the International Space station with the Russians in the early 2000's, NASA has started to learn the importance of this kind of work. And so, I think it's important work and we are not fully onboard and recognize it as important.
I started playing ukulele first for 2 years from age 9 to 11 and got my first guitar and got inspired by blues I heard on the radio that turned me on and I started learning myself.
For Christmas when I was about four I got given 'Can the can' by Susie Quatro, so that was the first record I got. And I got Skyhooks "Ego is not a Dirty Word.... I was sorta listening to the Beatles and stuff the whole time since I was about ten anyway, then I started getting into Kiss and David Bowie at the same time
For some years now, I've been doing a program called "Sinatra Sings Sinatra." It's been going on virtually since the end of '98. Nineteen ninety-eight was the year Frank Sinatra died. ... Now having reached what would have been his 100th year - I decided back in 2013 when we started to put all of this together, I decided what we should do was the first "Sinatra Sings Sinatra" in which we go audio visual.
The Wyoming game in 1974, my third year as head coach. My first year, we were 7-4; the second year, we went 5-6; the third year started out 0-3-1. Some of the players got together and had a team meeting to get a few things straightened out. Starting with the Wyoming game, we won 6 straight games and won our first conference championship, the second in BYU's history. We went to the Fiesta Bowl, the first of many bowl games for the Cougars.
I started playing guitar at the age of 8 or 9 years. Very early, and I was like already into pop music and was just trying to copy what I heard on the radio. And at a very early age I started experimenting with old tape recorders from my parents. I was 11 or 12 at that time and then when I was like 14 or 15 I had a punk band. I made all the classic rock musician's evolutions and then in the early nineties I bought my first sampler and that is how I got into electronic music, because I was able to produce it on my own. That was quite a relief.
[Bad Influence]was David Koepp's first big screenplay. It was actually a writing sample that was around town to get David work at the time, and Steve Tisch - now the owner of the New York Giants - found it, loved it, and together we put it together. But I'd say that would be the one I'd tell people to go and look at if they haven't seen it.
Mazhar never wanted me to grow as an individual or as an artist. He always wanted me to be with the kids and be at home. During the very first year of marriage I realised I had made a huge mistake, but I decided to live by it and make it work. I tried to make it work for another 12 years.
My work first engaged with the early russian avant-garde; the paintings of moholy-nagy, el lissitzky's 'prouns' and naum gabo's sculptures, but in particular with the work of kasimir malevitch - he was an early influence for me as a representative of the modern avant-garde intersection between art and design.
When I first came to England I hated football and knew nothing about it. Watching 0-0s and 1-0s having come from Aussie Rules was just dull. The only player I had heard of was David Beckham. But when I was living in Leicester I started watching Match of the Day and really got into Chelsea.
One thing I've always been taught at the defensive end is you hit first. In life, you throw the first punch; you don't get punched first. It's the same on defense: You've got to hit first. Do your work early. That's what I was always taught. If you don't do your work early, you're done.
I never heard Coen brothers get defensive, ever. You get with these filmmakers doing the hardest work in the world, and they're not defensive. They're happy together, they crack jokes together, they have different opinions - and it doesn't bother them that they have different opinions. So no wonder their work is so good, because you're getting two for the price of one.
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