A Quote by Courtney A. Kemp
I first became a showrunner at 36 years old. I had no experience doing this job, which is as complicated and multi-faceted as anything I'd ever tried.
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Every president becomes a caricature. The press, partisans, late-night shows, and other arbiters of our culture these days boil down complicated and multi-faceted personalities into one-dimensional punchlines.
It's really crazy to be 36 years old and to have been doing something for 25 years.
I am 36 years old, I can't change. I have tried, trust me, but I can't. It's nice to get over yourself and just do it.
Tried on daddy's 1979 rookie firesuit a while back. Smelled every bit of 36 years old.
My husband [Julius Tennon] and I started a production company. We've already optioned a book and some scripts to do exactly that, to create more complicated, multi-faceted roles for African-Americans, especially African-American females. I think it's important.
Being a showrunner is tough, but it is incredibly rewarding and it is, without a doubt, the best job I've ever had.
I'm not really worried about my numbers now as a 36-year-old. I'm not trying to be the first, experimental case of a 36-year-older trying to maintain his numbers, especially when I'm on a team like this. Can I do the same stuff I could do when I was Amare's age? Of course not. I'm not going to even try. However, I feel that I'm the baddest 36-year-old out there.
It wasn't like this happy-go-lucky experience, shooting Norman movie. It was something I kind of had to, sort of dedicate a certain level of focus and energy to kind of just stay in this headspace that would allow me to access - because it's also a very emotional movie at times. This was the first time I ever played a real character, a fully fleshed out, dimensionalized, multi-faceted character, as opposed to a part. There's not very much opportunity for somebody of my age and my look, so for a character-driven piece like this to come along is a rare thing.
The very first idea I ever had about making a film... my first thought about ever being a filmmaker was when I was sixteen years old and I wanted to make a Viking movie. And I wanted to make it in old Norse, which I was studying at the time. It's odd because at that age that's a stupidly ridiculous idea 'cause how will I ever be a filmmaker.
I was trained to look at colour, edges, to see negative space. I honestly think my greatest influence as a writer is from Cubism - the idea of a multi-faceted, multi-perspective way of looking at things.
I had an amazing experience doing 'Skins.' It was the first acting I'd ever done in my entire life, so I had to learn on set for those two years. I had to keep my head screwed on and learn from the other cast.
Probably the most formative experience was reading the 'Foundation' trilogy when I was about twelve years old. That wasn't the first science fiction I had ever read, but it's something that stands out in my memory as having had a big impact on me.
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