A Quote by Courtney A. Kemp

'Power' is not a black show. It's not a white show. It's a New York show. — © Courtney A. Kemp
'Power' is not a black show. It's not a white show. It's a New York show.
As the lone black host at two different all-sports stations, black callers and listeners dominated my show. Black advertisers did not. The show was financially supported primarily by white businesses, and the largest demographic for listener growth was white males.
Our respect for the dead, when they are just dead, is something wonderful, and the way we show it more wonderful still. We show it with black feathers and black horses; we show it with black dresses and black heraldries; we show it with costly obelisks and sculptures of sorrow, which spoil half of our beautiful cathedrals. We show it with frightful gratings and vaults, and lids of dismal stone, in the midst of the quiet grass; and last, and not least, we show it by permitting ourselves to tell any number of falsehoods we think amiable or credible in the epitaph.
My comedy has no color, it's for everybody, black, white, Latino, Asian. It's not a pro-black show, not a def jam show; it's just straight, wholesome type of humor.
At first we didn't have a lot of access to New York City, but very quickly, I think people recognized if you were on the show that was a good thing. We always saw the show as a love letter to New York City.
'The Cosby Show' was a show about black people that was fundamentally and unequivocally friendly to whiteness and to white people. The Huxtables had white friends.
I remember when I had my show [The Chris Rock Show on HBO], I used to run my show. It was so hard to get people to bring sketches to me. No one had ever worked for a black person before. Even the black people hadn't worked for a black person. It literally took a month or two for everybody to know: I'm really running the show.
You take a team with twenty-five assholes and I'll show you a pennant. I'll show you the New York Yankees.
Yeah, 'Gossip Girl' is a good show. It's a real New York show, like 'Sex and the City.
Yeah, 'Gossip Girl' is a good show. It's a real New York show, like 'Sex and the City.'
I'd like to do a reality show with four white people...who are dropped off in a really bad black neighborhood. And the show would be called...Cracker Hunt.
I am planning a one-man art show of original Batman oil paintings that I will show in New York City.
I felt like it was a courageous show [Black-ish] from the beginning. We are a black family - we're not a family that happens to be black. But the show is not even about us being black. The show is about us being a family. That is groundbreaking - on TV, the black characters either happen to be black or they're the "black character," where everything they say is about being black. I think that's the genius.
I had seen Orange Is The New Black show on Netflix and the first thing that came to my mind was, "Why am I not on this show? It's just irritating me right now." So I made some phone calls and told them, "I want to be on your show." And they found a spot for me.
I felt my design point of view was more welcomed in New York, that I could show my collections in the way I wanted to show them.
When I was 17, my mum thought it would be a good idea to compete in a modeling television show. It was hard for me to book jobs in Australia at this time, being that my look was so different. Even though I didn't win, I was given a modeling contract with New York Models, so I flew to New York as soon as the show was finished.
You can't have a show that's too ballad heavy. Those are the black and white logistics of putting together a show. You have to have some balance and some order.
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