A Quote by Courtney A. Kemp

Not many people get to create a television show that actually makes it on the air. — © Courtney A. Kemp
Not many people get to create a television show that actually makes it on the air.
I actually think the band doesn't need the television show. And I actually think the television show holds it back. No one at radio wants to play a band that's on a television show.
Television isn't inherently good or bad. You go to a bookstore, there are how many thousands of books, but how many of those do you want? Five? Television's the same way. If you're going to show people stuff, television is the way to go. Words and pictures show things.
First of all, directing was the most incredible experience. When you run a television show, directing is something that not many people actually get the time to do because you're so consumed with everything that's going on. You can't just disappear.
You do show after show after show and get them done and on the air. Television devours material. We work a minimum of 12, 14 hours, and often 15, 18 hours a day.
There are not that many people who can say they have been on a show long enough to leave it. Usually, you don't have a choice. The show gets canceled. There are very few people who live in the rare air of being able to leave a show while it is still in production.
Nowadays children look at everyone in the magazines and they want to be a basketball star or on a television show, but there is only so many people who can do those things and not that you shouldn't aim or dream for these things, but there are so many other fantastic jobs. So it's good to talk about how to get there and how difficult it is to get there.
I think it always makes for great television when two characters actually take time to realize that they want to be with each other. You have to leave it to the writers to know what makes great television.
It's interesting: I went 25 years without watching a single television show. I was one of those people, because I was so inside how a television show was made, if I would turn on somebody else's show, I would sit there and analyze it, like, 'Oh, so they had four hours in this location and had to get out and the number of set-ups, etc.'
It's amazing how many people you see on TV. I did my first television show a month ago, and the next day five million television sets were sold. The people who couldn't sell theirs threw them away.
My kids watch everything downloaded; they have no idea what the numbers or the names of the channels mean, except "FX makes the show that I see on my computer." So it's harder to get a show on the air, but at the same time, there are a lot of terrific shows.
My kids watch everything downloaded; they have no idea what the numbers or the names of the channels mean, except, 'FX makes the show that I see on my computer.' So it's harder to get a show on the air, but at the same time, there are a lot of terrific shows.
You never know when you're on a show if you're actually going to love it. For the episodes that I'm not in, I read them, but I try to just forget it, as long as it isn't important to my character. That way when the episodes air I get to watch it like a fan and actually enjoy it.
Saturday Night Live is such a comedy boot camp in a way, because you get to work with so many different people who come in to host the show and you get thrown into so many situations and learn how to think on your feet, so filmmaking actually feels slow, in a good way.
I decided to host my show 'Kiss and Cry' hoping that people actually want to participate and feel more familiar with figure skating. When I see these people enjoying themselves, it's a great joy to me. Although some of them get hurt once in a while, they enjoy it a lot, and I hope the show makes the viewers want to give it a try.
I have failed at unscripted television for five years now, so I am hopeful I can break that trend and get a good unscripted show on the air.
What I do know is how difficult it is in this industry to get a show on the air. There's so many different stages: getting a script bought by the network, then getting a pilot made and having that pilot go to series, and then, when that series gets on the air, having people watch it.
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