A Quote by Courtney B. Vance

I've done a lot of Shakespeare as a young man; I was involved with Shakespeare and Company. — © Courtney B. Vance
I've done a lot of Shakespeare as a young man; I was involved with Shakespeare and Company.
I had been in a Shakespeare company for three years and done a lot of Shakespeare. That was fun. That was interesting.
I had been in a Shakespeare company for three years and done a lot of Shakespeare. That was fun. That was interesting. It was a lot of work - anything other than Shakespeare was less work. I had a lot of interesting roles, but I don't point to them and say, "That was more interesting than that," because I don't know what the criteria are.
I think American actors are much more intimidated by Shakespeare. I actually want to do this Shakespeare play in New York, but I think it's interesting that there's this gaping hole in the repertoire in the American theater, which is Shakespeare. It's hardly ever done, compared to how often it's done in other companies, not just Britain. Someone from the Roundabout Theater Company - I said, "You never do Shakespeare." And he said, "Yes, we're not very good at it." And I thought, "What a terrible thing to say.".
I went to the Guilford School of Music and Drama, which was affiliated with the Royal Shakespeare Company. I was lucky enough to be taught by a beautiful, wonderful teacher called Patsy Rodenberg, who works a lot with the Royal Shakespeare Company as a voice coach and technician.
All the unimaginative assholes in the world who imagine that Shakespeare couldn't have written Shakespeare because it was impossible from what we know about Shakespeare of Stratford that such a man would have had the experience to imagine such things - well, this denies the very thing that separates Shakespeare from almost every other writer in the world: an imagination that is untouchable and nonstop.
Some of the finest Shakespeare has been done recently by college theater programs. I'll tell you what these young kids have: They have a natural authority in Shakespeare. They feel a right to do it. And once they honor the humanity of it, the rhythm of the verse comes with it.
We hope the Bell Shakespeare Company will become an indigenous part of the Globe Shakespeare Centre in Australia.
"With this same key Shakespeare unlocked his heart" once more! Did Shakespeare? If so, the less Shakespeare he!
A mental shutdown can happen when a young person is put in front of a Shakespeare play. My pieces are designed to release young audiences into the story and then creep up with the real Shakespeare, almost by stealth.
One of things I'd love to do one day is a Shakespeare with Trevor Nunn. I've done musicals with him, but never Shakespeare. There's no one better.
I've done a lot of Shakespeare onstage, and I'm not convinced that the Earl of Oxford was the author of all those works, but I am convinced that the Stratfordian William Shakespeare was not. My feeling is that it was an amalgamation of many writers, in the same way that most films are a collaborative endeavor.
Mostly, I hope that by having some fun with Shakespeare's style I'll encourage young people who are intimidated by Shakespeare to give him a try.
A lot of people have a fear of Shakespeare. Even actors do. People are like, "Oh, I won't go and see Shakespeare because the language is so hard," but it is. When you read it on the page, you go, "What?! What does that mean?!" If you go to a Shakespeare play and you've never been, you sit there and go, "I'm an idiot! I don't get it!"
Shakespeare is one of the reasons I've stayed an actor. Sometimes I spend full days doing Shakespeare by myself, just for the joy of reading it, saying those words... I do Shakespeare when I am feeling a certain way.
There are a lot of roles in Shakespeare, basically. If I feel that the script is a movie, I would be interested in doing any role of Shakespeare's.
Shakespeare - I was very influenced - still am - by Shakespeare. I couldn't believe that a white man in the 16th century could so know my heart.
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