A Quote by Courtney Summers
Is this what it's like to get close to other people--you do something insane together and then you have to share everything even if you don't really want to?
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It's really nice to be in something that you really love and want to share with people. And then, for it to actually get shown and for people to be able to see it is awesome. It's really exciting.
When you get together with childhood friends, for example, there's an intimacy that you instantly have because you share something really profound in your past. There's a shortcut to emotional intimacy if you share your past with somebody. It's really empowering when you're reunited with people who share that.
I find flying interesting in that it's a very intimate experience. You're so close, physically, to one or two other people and you eat, sleep, do everything together. I've met the most extraordinary people on planes, some of whom I've stayed in touch with, some I haven't. Even if you're beside someone who ignores you for eight hours, there's a physicality you wouldn't put up with from anyone other than someone you knew well. You're in it together, even if you never say a word to one another.
I'm often troubled by a very strong instinct to share everything that's going on with me. I want to feel that connection, even with people I don't know. Then this other voice says, 'That's not prudent. People will use what you've said to hurt you.'
If you zoom close-if you get really close to someone, if you really get close to yourself-then you lose the other person, you lose yourself entirely. You get so close you can't see anything anymore.
Slavery is the most insane thing... I don't know that we've ever seen in history, but it's got to be close. The idea of slavery is such a base impulse. It's like, "I'm going to kidnap you and then you're going to do everything I want." Like, what? And then there's the historical aspect. It had a huge effect on human history.
When I put something into motion, the creativity starts to make other people want to jump in, and then a lot of people get employed. I'm just like a shark, in that way. If I stop swimming, I'll die. But, it really is about that shared experience with people. I'm from theater, and that's really what theater feels like.
As long as people are marginalized and distracted [they] have no way to organize or articulate their sentiments, or even know that others have these sentiments. People assume that they are the only people with a crazy idea in their heads. They never hear it from anywhere else. Nobody's supposed to think that. ... Since there's no way to get together with other people who share or reinforce that view and help you articulate it, you feel like an oddity, an oddball. So you just stay on the side and you don't pay any attention to what's going on. You look at something else, like the Superbowl.
I want to be a partner with business, labor, civic leaders, foundations, other churches so that we can work together... If I can talk to all of these people and have something in common, maybe I can get them to see that they also have something in common with each other when we come together.
The most important thing about sports is that it gives you the chance to relate with other people, to share in something together and to share a goal with somebody else.
I always try to get in the back of the audience because people really want to get close to me, and I want to get close to them.
When you get to really involve yourself with a piece and the other people, and you get to feel like it's a community and you're all building something together, it helps me to produce better work, I think.
When we talk about something like student loans, what we should be talking about is the fact that every American wants their kids to do better than we have done. If we can get that, the other thing we'd really like is for our kids to be able to come home and raise their kids in the community where we raised them. What unites all of us, no matter where you live in the country, is we want our family to be safe, we want the next generation in our family to be more successful than us, and we would like our family to be close together.
We'd really like for BlizzCon to be something that the people who really really want to go, if this is something you're really passionate about, you want to be here at BlizzCon, we'd like it to be possible for you to get here. When we are selling out in a couple seconds, it's really not possible for a lot of people that really want to come.
A lot of bands don't really like each other. I read an Interpol interview the other day, it was a really good interview because it was showing a different aspect of a band. They don't really like each other - they work together and they kinda exist together and that's how they like it. They're like, "we didn't get into this band looking for friends."
I wanted to see if I could create something that is emotional between people. Existing games are about killing each other or killing something together. The idea of social emotion means people need to share feelings. At that moment, the players are in sync. The problem [with many games] is there's no chance to share emotion. Most of them are busy, [there are] explosions everywhere. So we got rid of all the background noise and we had to get rid of the guns.
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