A Quote by Courtney Summers

You only get to walk variations of the same lines everyone has already drawn for you. — © Courtney Summers
You only get to walk variations of the same lines everyone has already drawn for you.
Growing up in D.C. there are so many different types of educational and professional levels. They call D.C. 'Chocolate City' but just because we're all chocolate doesn't mean we're all the same. In D.C., everyone co-exists harmoniously but the lines are still drawn. And people don't really step over those lines.
It's bullshit to think of friendship and romance as being different. They're not. They're just variations of the same love. Variations of the same desire to be close.
There are only five notes in the musical scale, but their variations are so many that they cannot all be heard. There are only five basic colors, but their variations are so many that they cannot all be seen. There are only five basic flavors, but their variations are so many that they cannot all be tasted. There are only two kinds of charge in battle, the unorthodox surprise attack and the orthodox direct attack, but variations of the unorthodox and the orthodox are endless. The unorthodox and the orthodox give rise to each other, like a beginningless circle-who could exhaust them?
Etching will suggest subtle variations of tone, the most delicate shadings, all with black lines, which, as far as lines go, are unsurpassed for sheer beauty.
Sometimes when you walk onto a set, there are very clear delineations. The crew don't talk to the actors and I hate all that. Everyone is the same to me and I always treat everyone in the same way.
Everyone goes through their own journey. Sometimes things can get hurtful. But sometimes too much intrusion of privacy can get to you, but I know that this is something that you cannot avoid. You know, being a woman, there have to be lines drawn somewhere. But I am the kind who accepts that this is my journey and I have to go through some amount of hurt.
Prison makes an interesting context for so many different characters to come together. You get to see what lines get drawn between people.
None of us believes in an untrammelled right to free speech. We all agree there are always going to be lines that, for the purposes of law and order, cannot be crossed; or for the purposes of taste and decency, should not be crossed. We differ only on where those lines should be drawn.
I don't think of myself as a romantic person; I'm kind of more rough and tumble, I think. The things I'm drawn to are outdoorsy, I only get dressed up when I have to. I'm drawn to women who are into the same type of thing. If you're going to call it romantic, I'm very spontaneous. That's probably the best thing I have going for me.
America can't work for only some people and become a dream for all people. It has to work for everyone. And even though everyone might not end up at the same place, if everyone starts with the same beginning, then that's the dream fulfilled. We all don't have the same abilities, but we should have the same opportunities.
The iambic pentameter owes its pre-eminence in English poetry to its genius for variation. Good blank verse does not sound like a series of identically measured lines. It sounds like a series of subtle variations on the same theme.
The line must follow some direction of policy, whether rooted in logic or experience. Lines should not be drawn simply for the sake of drawing lines.
When I walk into a market I may see a different cut of meat or an unusual vegetable and think, ‘I wonder how it would be if I took the recipe for that sauce I had in Provence and put the two together?’ So I go home and try it out. Sometimes my idea is a success and sometimes it is a flop, but that is how recipes are born. There really are not recipes, only millions of variations sparked by someone’s imagination and desire to be a little creative and different. American cooking is built, after all, on variations of old recipes from around the world.
As you get older and more successful, you don't get magnetically drawn to aristocracy, you get magnetically drawn to power, and it gets magnetically drawn to you. It's a symbiosis whether you like it or not.
As to adding variations to my white ball bowling, ever since I started playing IPL, I realised you need variations. You can't survive on line and length. You need coaches around you who can guide you to get there. I have been lucky that I have had seniors and coaches who have helped me get there.
I came to the destruction of volume by the use of the plane. This I accomplished by means of lines cutting the planes. But still, the plane remained too intact. So I came to making only lines and brought the colour within the lines. Now the only problem was to destroy these lines also through mutual oppositions.
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