A Quote by Coventry Patmore

Love wakes men, once a lifetime each; They lift their heavy lids, and look; And, lo, what one sweet page can teach They read with joy, then shut the book. — © Coventry Patmore
Love wakes men, once a lifetime each; They lift their heavy lids, and look; And, lo, what one sweet page can teach They read with joy, then shut the book.
I didn't want to teach my kid how to read, so I used to read to him at night and close the book at the most interesting part. He said, “What happened then, daddy?” I said, “If you learn to read, you can find out. I'm too tired to read. I'll read to you tomorrow.” So, he had a need to want to learn how to read. Don't teach children how to read. Don't teach them mathematics. Give them a reason to want it. In school, they're working ass-backwards.
A book is something that young readers can experience on their own time. They decide when to turn the page. They'll put their arm right on the page so you can't turn it because they're not ready to go to the next page yet. They just want to look at it again, or they want to read the book over and over because they really enjoy setting the pace themselves.
Truth is always present; it only needs to lift the iron lids of the mind's eye to read its oracles.
Stranger, pause and look; From the dust of ages Lift this little book, Turn the tattered pages, Read me, do not let me die! Search the fading letters finding Steadfast in the broken binding All that once was I!
With a 660-page book, you don't read every sentence aloud. I am terrified for the poor guy doing the audio book. But I do because I think we hear them aloud even if it's not an audio book. The other goofy thing I do is I examine the shape of the words but not the words themselves. Then I ask myself, "Does it look like what it is?" If it's a sequence where I want to grab the reader and not let the reader go then it needs to look dense. But at times I want the reader to focus on a certain word or a certain image and pause there.
Find like-minded people who are on the same page as you, and then lift each other up.
I seldom read on beaches or in gardens. You can't read by two lights at once, the light of day and the light of the book. You should read by electric light, the room in shadow, and only the page lit up.
My goal with The Adventures of Captain Underpants was to invent a style which was almost identical to that of a picture book - in a novel format. So I wrote incredibly short chapters and tried to fill each page with more pictures than words. I wanted to create a book that kids who don't like to read would want to read.
I was never young. Whoever I was then is dead. That's more of your quills. I don't want a hide full, thanks. I have always figured that you die each day and and each day is a is a box, you see, all numbered and neat; but never go back and lift the lids, because you have died a couple thousand times in your life, and that's a lot of corpses, each dead a different way, each with a worse expression. Each of those days is a different you, somebody you don't know or understand or want to understand.
My ideal is a book that is perfect on every page, that gives you tremendous aesthetic joy on every page. I suppose I am trying to write such a book.
Books are frozen voices, in the same way that musical scores are frozen music. The score is a way of transmitting the music to someone who can play it, releasing it into the air where it can once more be heard. And the black alphabet marks on the page represent words that were once spoken, if only in the writer's head. They lie there inert until a reader comes along and transforms the letters into living sounds. The reader is the musician of the book: each reader may read the same text, just as each violinist plays the same piece, but each interpretation is different.
Dune is the bestselling science fiction book of all time. It's something you really need to read in your lifetime. If you're going to read The Lord of the Rings, which everyone should, then you have to read Dune, too.
I'd teach them to read and to dream and to look at the stars and wonder. I'd teach them the value of imagination. I'd teach them to play every bit as hard as they worked. And I'd teach them that all the brains in the world can't compensate for love.
There is an enormous redundancy in every well-written book. With a well-written book I only read the right-hand page and allow my mind to work on the left-hand page. With a poorly written book I read every word.
If reading makes you smart then how come when you read a book they have to put the title of the book on the top of every single page? Does anyone get halfway through a book, What the hell am I reading?
You see? Characters in books do not read books. Oh, they snap them shut when somebody enters a room, or fling them aside in disgust at what they fancy is said within, or hide their faces in one which they pretend to peruse while somebody else lectures them on matters they'd rather not confront. But they do not read them. 'Twould be recursive, rendering each book effectively infinite, so that no single one might be finished without reading them all. This is the infallible message of discovering on which side of the page you are on.
This site uses cookies to ensure you get the best experience. More info...
Got it!