A Quote by Craig Charles

Critics called me 'egregious' - I had to look that one up - and 'creepy', but now I don't read them, I weigh them. — © Craig Charles
Critics called me 'egregious' - I had to look that one up - and 'creepy', but now I don't read them, I weigh them.
Critics must excuse me if I compare them to certain animals called asses, who, by gnawing vines, originally taught the great advantage of pruning them.
But I honestly don't read critics. My dad reads absolutely everything ever written about me. He calls me up to read ecstatic reviews, but I always insist that I can't hear them. If you give value to the good reviews, you have to give value to the criticism.
Real Super 8 is creepy. If you went into your grandmother's attic and found her Super 8 films and watched them, I don't care what was on them, there would be something a little creepy feeling about it.
When critics ask you if you feel vindicated by other critics - I didn't like critics then, and I don't like them now. There you go. I've always been outside the mainstream, and it stayed that way.
If your house has Cold Mountain poems They are better for you than sutras Hang them up where you can see them Read them and read them again
A screenwriter heard me read from my novel 'The Wishbones' when it was still in progress and mentioned me to some producers in Hollywood. They called, and I told them I had a novel in my drawer about a high school election that goes haywire. They asked to take a look, and my life changed pretty dramatically as a result.
I was at the New York Film Critics Circle Awards one year - they called me up when somebody canceled two days before the thing, and asked me to present some awards. So I went, and one of the funniest film moments I've ever had was when they introduced the New York film critics. They all stood up - motley isn't the word for that group. Everybody had some sort of vision problem, some sort of damage - I had to bury myself in my napkin.
If critics were harder on the musicians that they love, there would be better songs. But as they grow older and they lose their talent, critics refuse to let them know that and protect them, and they get to the point where they put out music that just isn't up to the levels where they've already been.
The atom bomb fueled the entire world that came after it. It showed that indiscriminate killing and indiscriminate homicide on a mass level was possible ... whereas if you look at warfare up until that point, you had to see somebody to shoot them or maim them, you had to look at them. You don't have to do that anymore.
Look: There's good creepy and there's bad creepy. Today's creepy is tomorrow's necessity.
Look - There's good creepy and there's bad creepy. Today's creepy is tomorrow's necessity.
I don't read my books, I write them. Once I've finished the many years it usually takes me to write them, I can't bear to read them, because I've spent too long with them already. I'm not advertising them very well, am I?
All of my books, which are supposedly, I mean they're called YA novels, my hope is that adults would find no reason not to read them if they read them.
There are people who look up to me, but the young Muslim kids, especially in Germany, they also need those closest to them to show them a good path, give them targets in their life. I grew up with a lot of these kids and they didn't have the support I had from my family or friends. Not just in terms of football, but everything else.
When I write my scripts, there's a point at which if I'm not starting to see them visually, I feel like I'm kind of cheating. So my scripts are laden with a lot of visual description, which makes them not so much fun to read - I kind of weigh them down.
One of the earliest lessons I learned was not to read my reviews. Weigh them.
This site uses cookies to ensure you get the best experience. More info...
Got it!