A Quote by Craig Clevenger

It's taken me years of practice to learn how to act natural. — © Craig Clevenger
It's taken me years of practice to learn how to act natural.
It's taken a lot of years for me to learn how to share my story.
You can't learn how to act; you can only really learn it through experience and practice and really finding what your voice is and what you want to be as an actor.
I learned acting by doing it. And although I had never taken an acting class, it didn't take long to learn how to be on the stage. All you have to do is to be humiliated in front of an audience a few times. If you don't like being humiliated publicly, you learn how to act.
Chris Addison is a stand-up comic, but his ability to act is extraordinary, to be so natural, I've taken 25 years just getting to that level.
Practice is a shared history of learning. Practice is conversational. 'Communities of Practice' are groups of people who share a concern (domain) or a passion for something they do and learn how to do it better (practice) as they interact regularly (community).
I believe that we learn by practice. Whether it means to learn to dance by practicing dancing or to learn to live by practicing living, the principles are the same. In each, it is the performance of a dedicated precise set of acts, physical or intellectual, from which comes shape of achievement, a sense of one's being, a satisfaction of spirit. One becomes, in some area, an athlete of God. Practice means to perform, over and over again in the face of all obstacles, some act of vision, of faith, of desire. Practice is a means of inviting the perfection desired.
People always told me that my natural ability and good eyesight were the reasons for my success as a hitter. They never talk about the practice, practice, practice.
There's so much spontaneity involved, what do you practice? How do you practice teamwork? How do you practice sharing? How do you practice daring? How do you practice being nonjudgmental?
I learn how to put myself in situations at practice that cause me to zone in on what I'm trying to accomplish at meets. I try to make my practice surrounding as close to competition pressure to focus on what I need to do on the big stage.
It was hard to become an astronaut. Not anywhere near as much physical training as people imagine, but a lot of mental training, a lot of learning. You have to learn everything there is to know about the Space Shuttle and everything you are going to be doing, and everything you need to know if something goes wrong, and then once you have learned it all, you have to practice, practice, practice, practice, practice, practice, practice until everything is second nature, so it's a very, very difficult training, and it takes years.
After a few years of meditation practice we can even learn how to occasionally ignore ourselves. And what relief that can be!
It's hard to shape glass. It took me years of practice, and as a result, I've never gotten bored with it. It's difficult. Every time I come into the studio, I've got some sort of new challenge. And something that I would like to learn how to do better, and the material never disappoints me.
I feel like I'm a natural-born playwright, but the prose thing has always mystified me. How to keep it going? How do people do it, for years and years?
It took me two years to walk around a chair with ease; it took me another two years to learn how to laugh onstage - and I had to learn everything.
There is no such thing as a natural boxer. A natural dancer has to practice hard. A natural painter has to paint all the time. Even a natural fool has to work at it.
The Naturalization Act of 1790, three years after the Constitution, said the children of citizens shall be considered natural born citizens. That's in 1790. Five years later, in 1795, they amended the Naturalization Act of 1795 and said the children of citizens, wherever born, are citizens is excluded the phrase "natural- born citizens" when they amended the act!
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