A Quote by Craig David
I've done a couple of tunes with Kaytranada. 'Got It Good' has had such a great response.
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It just so happens that when I was, like, 19 or 20, I got a couple of auditions and got a couple parts with good people. Of the thousands of auditions where you don't get the part, I've done a couple of jobs where you do it and you're like, "Okay, this is good."
I do very few standards. Hardly any. Other people's tunes that I do are usually obscure tunes, for the most part, although I do a couple of Duke Ellington tunes that are well known.
I'm not really a country singer, although I did make a couple albums and love its simple, straight-from-the-heart approach, but I have always sung a lot of jazz, show tunes, pop tunes, gospel and blues.
Looking back, I had a great lockdown - the vibe of my family got me through it. Every night we'd cook, play tunes and dance.
I have tons of tunes, maybe 30 tunes that I still think are great, and only because some jerk at a record company didn't think it was great, it's not out there.
The best advice I never got. I don't know if it would have done any good, but to be more confident with girls in school. I actually had a couple of girlfriends, but I was still pretty timid and it was hard to ask girls out.
I didn't worry if a bit got no response, as long as I believed it had enough response to linger.
There is always the working out of things, and you have to have sort of a gut response to it. And an intellectual response. And an aesthetic response. All that comes from having done this for a long time. Instead of saying, "That's a really good rock track, and that will do," I'm looking for something that is more original and fresh. There are a lot of elements to get into it: a level or sophistication, passion and excitement.
I had three scenes in 'Super 30', but I got a good response.
If I die and I gotta couple Grammys on me, more than a couple hits on me, I got some plaques and I got billboards still up and I done touched a lot of people's souls and I'm viral, once that happen then you can judge all you want.
Beautiful tunes are all very good and fine, and great musicians are always great, but that alone isn't enough.
I first heard Trouble in 2008. At that time I was on my grind, trying to work with all the next-up artists. I had sent him a couple beats; he had done a couple songs. We was always around the same age.
Of those, the only one that really stands out for me is Tales From The Darkside, for a couple of reasons, one in particular being who I got to work with on it, which was Eddie Bracken. I mean, what a man. Someone who's done Preston Sturges movies, and I actually got to work with him? And he was great.
There's really never any sort of master plan. I find if I've got a couple of tunes that I think are possibilities, I phone everyone up and get them into the studio and we'll have a go at recording them.
Sometimes great tunes happen to bad times, and when the bad time is over, not all the tunes get to move on with you.
I started writing "Peace Trail" here in Colorado, then I went back to California. I had a few other tunes going around in my head, so I had a couple of them finished after a few days and then I wanted to go into the studio.
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